Green Harvest

A stripper (June Havoc) discovers a professor (Joe E. Brown) spends summer teaching Shakespeare and winter as a burlesque comic.

Part of the series of Universal B-musicals teaming Martha O'Driscoll and Noah Beery Jr., this film is also a remake of the 1937 comedy Love in a Bungalow. Patty Callahan (O'Driscoll) offers residence in a model home to soldier Jeff (Beery) and soon falls in love with him. Although the pair are unmarried, they enter a marital contest intended to celebrate the "Happiest G.I. Couple." Winning the contest brings on all sorts of farcical troubles until the couple are able to be united for real. Songs include "Don't Sweetheart Me" and "Best of All."

In this comic western, a Broadway star leaves his musical revue to go West and help out his troubled friend. While there, the performer finds himself forced into becoming the town sheriff. Mayhem ensues, but somehow, the crooner manages to round up a band of killers.

Saving a dog from the pound gets a man mixed up in murder.

I Led Three Lives is an American drama series which was syndicated by Ziv Television Programs from October 1, 1953 to January 1, 1956. The series stars Richard Carlson. The show was a companion piece of sorts to the radio drama I Was a Communist for the FBI, which dealt with a similar subject and was also syndicated by Ziv from 1952 to 1954.

Valentine's Day is a 1964 comedy television series that appeared on ABC's schedule. The series starred Tony Franciosa as Valentine Farrow, a swinging Manhattan publishing executive, and Jack Soo, later of Barney Miller as Rocky Sin, Farrow's poker-playing con-artist valet. The show was created by Hal Kanter and lasted only one season. One noteworthy episode was produced as a tie-in to the movie Rio Conchos, in which Franciosa co-starred; he played both Valentine and his Mexican character from the feature.

Pistols 'n' Petticoats is an American Western sitcom

A pigeon breeder is hired to train a racehorse that wins only when it drinks beer.

The slapstick adventures of hapless Gilligan, long-suffering Skipper and their gang of mismatched castaways, all stranded on an uncharted desert isle after their tiny ship hit stormy weather.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

Roscoe the Rainmaker is invited to California (with sidekick "Billy") to relieve a terrible dry spell and to save the community from an unscrupulous businessman who stands to profit from the drought

Women find handsome and carefree Robert S. Beanblossom (Bob Cummings) irresistible. Perhaps that is why such a clueless real estate salesman is a hero in the eyes of secretary Julie Marshall (Julie Bishop). Boss Willis Thackery (John Litel) sees things differently and tries to rein in Beanblossom's bumbling antics. In spite ot his efforts, Mr. Thackery•s small Hollywood firm is the scene of a never-ending parade of uproarious adventures. Loyal side-kíck Julie always tries to fix Beanblossom's unwitting slip-ups, but only seems to make things worse and a whole lot funnier.

The Maverick boys - Bret, Bart, Beau and Brent - are a clan of well-dressed dandies, gamblers who'd much rather make their money playing cards than messing up their fine clothing with actual work. Sly and clever, none of the Mavericks are much for acts of derring do, but they can be courageous when the situation calls for it. Most often, however, they live by their wits and considerable charm.

A bayou girl (Debbie Watson) and her kin (Frank McGrath, Denver Pyle) have run-ins with some rich folks.

Lock-Up is an American legal drama series that premiered in syndication in September 1959 and concluded in June 1961. The half-hour episodes had little time for character development or subplots and presented a compact story without embellishment.