Tammy and the Millionaire

An unsophisticated young woman from the Mississippi swamps falls in love with an unconventional southern gentleman.

Tammy leaves the river in Mississippi to attend college, developing a relationship with Tom Freeman (John Gavin). Sandra Dee replaces Debbie Reynolds in this and the third Tammy movie. This film introduces both a new theme song, "Tammy Tell Me True", and the character of Mrs. Annie Call, played by veteran Beulah Bondi. Mrs. Call ultimately moves in with Tammy at the Ellen B. and would be the catalyst for the events in the following film, "Tammy and The Doctor".

Tammy becomes a nurse's aide, works in a hospital, cares for an old rich woman, and causes romantic commotion in the life of Dr. Mark Cheswick.

The story of a nightclub.

The Go-Getter (1956)

General store owners, through a series of contrivances, end up on the better side of a practical joke being played on them.

Saving a dog from the pound gets a man mixed up in murder.

I Led Three Lives is an American drama series which was syndicated by Ziv Television Programs from October 1, 1953 to January 1, 1956. The series stars Richard Carlson. The show was a companion piece of sorts to the radio drama I Was a Communist for the FBI, which dealt with a similar subject and was also syndicated by Ziv from 1952 to 1954.

Valentine's Day is a 1964 comedy television series that appeared on ABC's schedule. The series starred Tony Franciosa as Valentine Farrow, a swinging Manhattan publishing executive, and Jack Soo, later of Barney Miller as Rocky Sin, Farrow's poker-playing con-artist valet. The show was created by Hal Kanter and lasted only one season. One noteworthy episode was produced as a tie-in to the movie Rio Conchos, in which Franciosa co-starred; he played both Valentine and his Mexican character from the feature.

Pistols 'n' Petticoats is an American Western sitcom

The slapstick adventures of hapless Gilligan, long-suffering Skipper and their gang of mismatched castaways, all stranded on an uncharted desert isle after their tiny ship hit stormy weather.

A faded star is suspected of killing a studio executive.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

Roscoe the Rainmaker is invited to California (with sidekick "Billy") to relieve a terrible dry spell and to save the community from an unscrupulous businessman who stands to profit from the drought

The popular B-flick team of Frankie Darro and Kane Richmond star in the slick quickie Headline Crasher. Little Frankie and Big Kane play a pair of roving journalists who investigate a politician (Richard Tucker) up for re-election. When it seems as though the politico is being set up for a fall by yellow journalists, Darro and Richmond try to get to the truth of the matter. The original story for Headline Crasher is credited to Peter B. Kyne, creator of the "Broncho Billy" western stories.

Women find handsome and carefree Robert S. Beanblossom (Bob Cummings) irresistible. Perhaps that is why such a clueless real estate salesman is a hero in the eyes of secretary Julie Marshall (Julie Bishop). Boss Willis Thackery (John Litel) sees things differently and tries to rein in Beanblossom's bumbling antics. In spite ot his efforts, Mr. Thackery•s small Hollywood firm is the scene of a never-ending parade of uproarious adventures. Loyal side-kíck Julie always tries to fix Beanblossom's unwitting slip-ups, but only seems to make things worse and a whole lot funnier.

The Maverick boys - Bret, Bart, Beau and Brent - are a clan of well-dressed dandies, gamblers who'd much rather make their money playing cards than messing up their fine clothing with actual work. Sly and clever, none of the Mavericks are much for acts of derring do, but they can be courageous when the situation calls for it. Most often, however, they live by their wits and considerable charm.

Two actors who play detectives on the radio find themselves investigating a real crime masterminded by an arch-criminal named the Cobra.