REBOTE

Spain, 1937. In the midst of the Civil War, Helena lives with her mother and her brother Bruno, unrecognizable and covered in bandages after returning from the front. Their strange, dehumanized presence awakens in Helena a restlessness that mingles with blurred memories, changing spaces, and blurring realities.

In a dark, abandoned mansion deep in the forest, an aging vampire filmmaker lives in communal seclusion with his five disciples. On the night of his birthday, he reveals his final wish: to film the one moment he has never dared to face — the sunrise —.

On a typical night, two friends drive home after a party. The radio searches for a signal while interference mixes with their voices. Between flashes of streetlights and tired laughter, Sara and Violeta talk about love, desire, and disappointment.

Toño, an 11 year old boy, takes on the responsibility of caring for his sick sister due to his father's neglectful behavior. When he learns that orphans can have a better life in a shelter, he must choose between letting his sister's condition worsen or becoming a monster himself.

Exploring the pendulum between separation and connection as a fundamental aspect of human relationships. Embark on a journey without a fixed destination, encapsulated in OVUNQUE: everywhere.

A group of travelers is trying to cross a lake to survive, but to do so they must face a hermit who lives in a cabin, the only one who can help them.

A boy gives a ukulele to a girl.

Nothing is the same since Lucia's death. Nothing is right. Nothing is in its place. Marta, her little sister, is not even able to feel good in her own skin. The banality of the funeral, the coldness of the house, the terrible feeling of not being able to return the favor to the one who gave so much for her. It all piles up on her mind and crowds behind her eyes, but Marta refuses to cry. To do so would be to betray Lucia's memory. She prefers to work and let herself go in an eternal repetition. And yet Daniela has other plans for her. After all, her loss does not belong to her alone.

San Millán de la Cogolla welcomes the visit of an artist who has been given carte blanche to develop and exhibit his new project, which will take place in what seems to be the last days of the village.

Jesús, a devout Christian, leads the women’s choir at his local parish. A few days before the Christmas celebration, he experiences a revelation: he has discovered that there is no paradise. Feeling deceived, he decides to prepare a speech to tell everyone that the afterlife does not exist.