Mit der Kamera im ewigen Eis – Teil 1

Poor New York shop girl Nadina receives the unexpected news that she is next in line to be queen of an Eastern European country. On her arrival in Ruritania, a revolution is in progress, and only minutes before her coronation, Nadina is forced into exile. She flees to Paris with her nurse, and then travels on to Switzerland. There Nadina encounters the Ruritanian revolutionary leader Carl, recuperating from the trials of revolution, and the couple unexpectedly fall in love. When the revolution collapses in Ruritania, they return and marry, thus forming a constitutional monarchy supported by all the people.

Critics of the time called "Milak, der Grönlandjäger" the German answer to Robert Flaherty’s "Nanook of the North" (1922). Filmed largely on location in Greenland and Norway’s Spitsbergen archipelago, the film combines impressive landscape footage with ethnographic observation.

A record of the ascent and descent of Monte Rosa on skis by Arnold Fanck, Hans Rhode and Sepp Allgeier. The party starts from Zermatt through the Rhone Valley. They climb roped from the Betemps Cabane and reach the summit of Monte Rosa, then, they start the descent on skis to return to the refuge. The film is one of the first ski mountaineering films and the first collaboration between Allgeiger and Fanck, two of the fathers of the Bergfilm, the German mountain film genre.

In St. Moritz, the best master runners fight for the victory palm in ski jumping. After the award ceremony, it is decided to go on a fox hunt through the Engadine, and the winner of the ski race, Hannes Schneider, is chosen as the fox. He is not allowed to cross certain limits and must be captured by midnight. 25 of the best runners chase him on skis through the uniquely beautiful landscape in this scavenger hunt. He misleads them again and again with clever traps and gains more and more advantage.

A Nazi documentary extolling Germany’s Siegfried Line (“West Wall”) just before WWII, compiled from newsreel units under Fritz Hippler to showcase the fortifications’ construction and defensive purpose.

Struggle for the Matterhorn (German: Der Kampf ums Matterhorn) is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Based on a novel by Carl Haensel, the film depicts the battle between British and Italian climbers to be the first to climb the Matterhorn. Trenker later remade the film as The Challenge in 1938.

After a mountaineer is killed attempting to climb a difficult mountain, his son dreams of conquering the peak that has defeated his father. But his mother makes him promise never to attempt it. Events eventually force her to release him from the promise, and he ascends the mountain successfully.

A profile of the 1928 Olympic Games in St. Moritz, Switzerland.

Thymian Henning, an innocent young girl, is raped by the clerk of her father's pharmacy. She becomes pregnant, is rejected by her family, and must fend for herself in a harsh, cruel world.

Dr. Johannes Krafft climbs a 12,000-foot mountain over and over again to search for his wife, who was lost on their honeymoon. Another couple makes the dangerous climb with him.

A showcase of German chancellor and Nazi Party leader Adolf Hitler at the 1934 Nuremberg Rally.

A documentary about skiing at the beginning of the century.

Hannes is employed at the Mont Blanc Observatory; the only outside connection is a pilot and Hella over the radio. Hella ascends the mountain but her father dies along the way.

In the mountains, Diotima meets Karl and fall in love and have an affair. Karl's friend Vigo mistakenly believes she's in love with him, causing rifts in all relationships.

Two of Germany's best and busiest directors collaborated on Berge in Flammen (Mountain in Flames). The storyline should be of interest to pro-ecologists, inasmuch as the directors take to task the warmongers of the world for despoiling the natural beauties of the European mountain ranges with their shell-fire. The final outrage occurs during a battle between the Austrians and the Italians in the Dolomites, culminating with the destruction of an entire mountain (hence the film's title). The harrowing images on screen were complemented perfectly by the musical score of Giuseppe Beece. Also known as The Doomed Batallion, Berge in Flammen was filmed in three different languages -- German, English, French -- for a total cost of $150,000.