Mördare! Mördare!

In this somber, psychological drama about the conflict between a man's innermost feelings and a society that puts these feelings in a strait jacket, the mood is ruminative and depressing throughout. Alone, Viktor (Sven Wolter) heads off for his usual summer vacation to some islands where he can ostensibly look for antiques for his wife's shop in Stockholm. His marriage is a failure or worse -- he raped his wife before he left home, and he is obsessed by erotic imaginings. Once on the islands, he makes friends with a little girl whose mother is mentally disturbed and is kept by her husband in a locked room. The islanders are as tight-lipped as Viktor, and any communication is stiff and artificial. Viktor's own alienation begins to slip as he takes surprising, violent action to turn around the imprisoned mother's life -- but it does not work, nothing seems to work -- and his last actions indicate that he may not be willing to simply give up.

About a boy, with Meänkieli as his mother tongue, takes his first moped trip on the day he turns 15. He is stopped by local policeman, who also speaks Meänkieli. An unpleasant situation arises and the boy becomes abused.

Daniel, a visual artist, mourns the loss of his daughter Johanna. The intense emotions lead him into a crisis and an estrangement from his wife Sonja.

Harri is one of Sweden's many Finnish immigrant-workers. While in Sweden, the illiterate Harri marries and has a child. After accidentally killing a man in a fight, he flees back across the border to Finland and begins to pick up the pieces of his life, but soon, the police come looking for him.

The Swedish IB (Information Bureau) agents Henry Malm and Richard Ramberg travel to the Finnish-Russian border in order to receive a KGB agent who wants to defect.

Thomas, a scientist, lives in a childless marriage. When his wife travels to Copenhagen he begins an affair with a girl of 19. The girl and large amounts of drugs disappears from Thomas laboratory.

Someone is killing off Swedish military officers and making it look like the works of Soviet agents. Hamilton has to crack the case before all hell breaks loose and there is a full scale spy-war with the soviets.

When Bob's wife dies, he's determined to find Sabine, a woman he loved 30 years before. Even though he's had little to do with his daughter Rita, he begs her to take him to Denmark to find this lost love. She agrees and unceremoniously drops her baby off at her husband Steff's office where he's been working overtime to avoid bankruptcy. Rita and Bob pick up a hitchhiker, Erik, who plays to Rita's longing for freedom. Steff, with baby and teenage daughter, sets out in pursuit of his wife, jealous and also feeling pangs of love. On the road, Bob and Rita bond as do Steff and his children. On the Danish coast, Bob and Sabine, Rita, Steff, and Erik must sort out their dreams.

Families, friends, enemies and lovers experience life-changing events in the large upstate New York city of Port Charles, which has a busy hospital, upscale hotel, cozy diner and dangerous waterfront frequented by the criminal underworld.

He refuses to accept charity and he does his morning exercise, he makes a living collecting cans and exists without a home, personal number or social control. In itself quite an achievement in today’s Sweden. The film is about this man getting one last chance as he unexpectedly receives a large amount of money. About his path to reconciliation with the people he thinks he let down thirty years ago. It’s a journey filled with temptation and ambivalence. But also one about an important friendship with a young hitchhiking girl.

Drama set in Stockholm and Helsinki and a village whose existence is threatened by a power plant. A group of young people return to their roots and are disappointed by what they find.

Four young men – Luke, Simon, Anders and John – are on the gang’s annual outing. During the trip down the river the four meet sisters Marie and Susanne, who recently moved up to northern Sweden from Stockholm. They decide to camp and party together that night. When they wake up in the morning after a wild night of dancing and alcohol, Susanne, the youngest girl, has disappeared without a trace...

"The Childhood Friend." - Tomas lives with her parents. One day, his father's cousin Serkuu comes to visit. At first Serkuu wins Tomas's trust but later he brutally let's him down. Fifteen years later, Tomas has become a police officer and takes his service revolver when calls on Serkuu to retaliate.

"Night Shift" - In the back seat of a taxi, one Saturday evening in Stockholm, people need a ride for all kinds of reasons and from all walks of life. One of the passengers feel that it's better if they that need to rough someone up, that's in it for the money, instead of they brutally raping someone innocent in the woods. It's ugly out there. Someone will get hurt.

“We are the stories we tell ourselves.” Seeing is Believing: Women Direct is a documentary series about directors, leaders… who happen to be women.Audiences will hear directly from women who are on the front lines of the field: from major award winners to NYU students, festival darlings to frustrated auteurs. They will discover the pathways to successful creativity as well as how these filmmakers drive through obstacles creative, cultural, and professional. The film ultimately will act as a toolbox for any filmmaker as well as “peer to peer mentorship” for any person who is looking for creative or professional guidance as they move toward their own dreams of being a visual storyteller.

The Swedish IB (Information Bureau) agents Henry Malm and Richard Ramberg travel to the Finnish-Russian border in order to receive a KGB agent who wants to defect.