The Man Who Stayed at Home

The Mystery Club, an organization of millionaires, draws up an agreement at the instigation of Cranahan, wagering that crimes can be committed without detection by the police; Inspector Burke serves as arbiter. A forfeiture of $25,000 is set, and the members draw secret lots to decide who is to be the criminal. When Burke himself is reported murdered, the members agree to cancel the agreement but cannot find the document.

The invalid Count de Suchet, nearing death, tells his friend, artist Henri Dutray, about the tragic events of his early life. He secretly married a dancer, and after she gave birth to a daughter, his father convinced her that she was ruining her husband's life. She gave the baby to an old couple, and then killed herself. The grieving count now worries about his daughter. Meanwhile, Jeanne, an Apache dancer in Montmartre, refuses to be sold by her brother Jacques to an old rogue. After she escapes and hides in Henri's studio, Henri, because he needs money, plots with Jacques to make the count believe that Jeanne is his daughter.

Basil Van Bibber, son of a prominent family, and Nora Schultz, daughter of a butcher who invented a sausage machine that made the Van Bibbers rich, pretend to be in love to please their parents; but when Nora tries to protect the young Van Bibber from a charge of reckless driving, they find they really are in love.

Based on the 1907 play 'Lady Frederick' by W. Somerset Maugham, this tells the story of Betsy O'Hara in her pursuit of romance and love.

Leslie Adams, secretary to the city editor of a newspaper, persuades him to let her write up a society affair. Her efforts result in a libel suit against the paper, and Leslie is told to prove her story or join the ranks of the unemployed.

During his lifetime John Dorgan is unsuccessful in his attempts to cure his son, Jimmy, of his spendthrift ways, but his will leaves only a part of his fortune to Jimmy, while explaining where to dig for the rest.

The Most Shocking Film of 1923! Directed by Herbert Blache, The Untameable dramatizes the then-sensational subject of dual personality, with Gladys Walton in the dual role of Joy and her whip-toting, brutal, sadistic alter-ego Edna, and Etta Lee as her faithful Asian lesbian maid.

The painter Burne-Jones and his famed painting "The Beggar Maid" are depicted in this speculative drama about the creation of the painting. Burne-Jones plays matchmaker for a young British nobleman who has fallen in love with a servant girl on his estate. The artist shows that love can thrive between members of different classes by depicting on canvas a picture from Tennyson's poem about the love of King Cophetua for a beggar maid. As he relates the story of the poem in words and through his painting, the young earl sees the application to his own situation.

Rich but frivolous, Cynthia and John Karslake obscure their love for each other by their constant quarreling. Cynthia grows jealous of her husband when, one day at the races, she notices Vida Phillimore, a recent divorcée, flirting with him. Using this incident to inflame all her other petty grievances, Cynthia ends up in divorce court presided over by Vida's ex-husband, Judge Phillip Phillimore.

While visiting a small village, popular young artist Robert Williams meets innocent country girl Helen Sanderson and, enchanted by her beauty, induces the girl to pose for him. An attraction develops between them, but just as the portrait is completed, Robert is called back to the city. Helen fails to hear from him again and Robert's neglect draws her to the city, where she is sent to a reformatory on a false charge. Once released, she begs Judge Princeton for help and, feeling sorry for the unfortunate girl, he introduces her to playwright George Wendbourg, who adopts Helen and makes her a great actress. Seeing Helen on stage reawakens Robert's love for her and he begs her for forgiveness. After initially snubbing him, Helen relents and the two finally are reunited.

Jimmy Nevins--once wealthy and now engaged to Doris Standish--is reduced to poverty and jilted by her when he is befriended by Mary Butler, the leader of a gang of crooks.

Although her husband and children want to continue living modestly after they acquire a fortune from munitions, Mrs. Tompkins has social aspirations and persuades them to move into an exclusive country neighborhood and send their son Dick to Yale. When Mrs. Tompkins mistakes Louise Allenby, the daughter of her aristocratic neighbors, for a maid, Louise in jest pretends to be the Allenby social secretary. Dick, returning home, hears some girls giggling about Louise's joke on the Tompkins family and for revenge he becomes a groom for the Allenbys, but he and Louise fall in love. During a party, swindler Cholly Van Dusen steals some of the Allenby jewels and blames Louise who is put under arrest until her parents return. Cholly is then caught, Louise and Dick with revealed identities announce their love, and the Tompkinses are accepted socially.

A young girl is trying to live an honest life in a crooked city. Caught up with a crook that might be the son of a millionaire and other crooked people, she must attempt to reform things, or at least one person.

At a lavish house party, bank president Robert Andrews stages his own “murder” to distract a visiting bank examiner from uncovering a shortage, setting off a whodunit where nearly everyone has a motive. The investigation spirals until Andrews is found alive and admits the frame-up—after the deficit is repaid. A silent black-and-white Universal mystery-melodrama-comedy directed by Herbert Blaché; long thought lost, a print resurfaced in 2017.

Real life rodeo champion Hoot Gibson plays Dan Molloy, an expert rider who wins the big one, the Calgary Stampede. When the father of his new French-Canadian girlfriend turns up dead, Molloy is the only suspect!