Morning

Berlin, known for its freedom and inclusiveness of diverse subcultures, is a safe haven for many displaced people. But urban life may not provide the best living conditions. Idealistic traveller Moon struggles to find accommodation in Berlin but receives a helping hand from Anna, who is also a Hong Konger anxious about her unstable life. They temporarily stay at the 15-person co-living facility named Hausprojekt ‘K28’. However, this group of migrants—some have experienced social unrest back home and others just want to experience life in a foreign country—are facing eviction. Two women with very different personalities share what they have and face the hardships of life together. The Berlin-based director uses her perspective as an Asian woman to explore the clash between humanism and gentrification. Featuring Golden Horse nominee Elizabeth TANG and artist Sammi MAK in leading roles, the film deromanticises the situation of Hong Kongers living in a foreign land.

At the end of summer, a group of friends bid farewell to their childhood with a final football match and embark on a daring escapade, each about to embark on a different path in life.

A phone call takes two young men a trip down the memory lane. Two boys and one girl, a classic teenage love triangle. Being best friends, Chung has always been the humble guardian angel for the young couple Yao and Shan. “My virginity will only be dedicated to the one I love” is the motto of Chung. The three remains close friends when they grow up, until the death of Shan breaks the harmonious relationship among them.

Music is the common language that draws people together. Johann Bach’s Goldberg Variations brings the two lonely and unrelated people in the film - an inconspicuous mid-aged man Joe and a once popular actress Shu closer. A subtle and occasional encounter takes place in the remote country side where Joe is the night shift storekeeper and Shu goes to the area for shooting. When Joe plays this particular work of Bach, Shu is touched and shares with him her miserable life experiences. He feels that there is a bonding between them until he attempts to explore more into this illusive “relationship”.

Ah Choi has a complicated relationship—she is attached to her boyfriend, Ah Wood, yet weary of their daily interactions, and is drawn to new and fresh ideas. Though she feels lonely, she also cherishes solitude, caring for her own solitary shadow, drifting between two extremes. Wah Chi teaches at an international school and enjoys writing poetry. After her family emmigrated abroad, she lives alone in her old home, accompanied only by a cat. Dreams, daily life, and poetic sensibility gradually blur together, turning into a series of images. The diversity and fleeting nature of modern society have caused them to lose their sense of time and connection.

Life after university may be just dandy for people with passion and drive, but what happens if you are aimless, dreamless and hopeless? With no goals or ambition in life, a fresh graduate believes that she is an oddball destined for mediocrity. Her perfect solution is to be a slacker and to work part-time at a 12-dollar store. Unfortunately, the mundane life and wacky colleagues just add to her melancholy. The array of eccentric characters at the 12-dollar store speaks volumes on how the new generation perceives their less-than-rosy future.

A young boy successfully transforms into Superman, but he can’t find a way to turn back to human.

Three people in the flat with their own quirks, searching for the ways to understand and live with each other. Xiang's rebellion as ticking time bombs hidden in a hotel-like flat, as well as their relationships.

Hui-man has the body of a beast. As a former social worker, he still wishes to help others, especially his loved one Ning, a headstrong beauty who resists the world and who lives in the ruins after leaving her wealthy family. Both fight for survival and face their own needs and fears. Reunited despite obstacles, they only wish for a simple candlelight dinner without fanfare.

A story taking place in a Hong Kong with a different history. Hong Kong has not undergone a transfer of sovereignty in 1997. In 2003, a teenager, Lap Yan stays at home because of SARS. A girl who is a new neighbor of Lap Yan visits him and stays with him all day. Lap Yan does not realise the outside world is changing, which will affect his own future.

Traumatised by the doomed rights movement in Garan, former activist Decem seeks refuge and solitude in the forest, fleeing his homeland and all those he held dear. Relief is however short-lived. As time passes, nostalgia and loneliness creep upon the exiled youth. Decem remains trapped in recurrent nightmares of the past and continues to plunge into despair, living with a constant sense of peril. The challenges of living in the forest along with the wildfire in the mountains eventually make him reconsider the path ahead. Mirroring the disturbed youth’s inner turmoil with the sinister wild nature, the psychological drama relates the tormented state of the exiled body and soul.

Choi used to leave voice message to Sze since she had a cell phone. He did it even more when Sze got a smart phone few years later. Years after, Choi was getting old. He needs to visit physiotherapist and underoccupied. One day when Choi is loading of the bamboo in a construction site earthquake happened in Hong Kong

Like a cactus, a marriage is expected to last but not without a few prickly details. While the bride's mother is in bliss over her elder daughter's upcoming marriage, the bride's sister is doubtful after witnessing the groom on the street with another woman. As the bride discovers her fiance's affair, the torrent of events prompts a pointed conversation between the three women, highlighting their contrasted views on marriage and fidelity. The bride is veering towards a meltdown while her sister grows more skeptical of marriage.