Sinclair

An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.

A short film in which Isabella Rossellini discusses the life and work of her father, Roberto Rossellini.

In Depression-era Winnipeg, a legless beer baroness hosts a contest for the saddest music in the world, offering a grand prize of $25,000.

The geographical dead center of North America and the beloved birthplace of Guy Maddin, Winnipeg, is the frosty and mysterious star of Maddin’s film. Fact, fantasy and memory are woven seamlessly together in this work, conjuring a city as delightful as it is fearsome.

A cinematic version of the Royal Winnipeg Ballet's adaptation of Bram Stoker's gothic novel Dracula. Filmed in a style reminiscent of silent Expressionist cinema of the early 20th century (complete with intertitles and monochrome photography), it uses dance to tell the story of a sinister but intriguing immigrant who preys upon young English women.

A murder has been committed on a balcony. But it is only one of the many balconies attached to a large apartment block. Strange things are transpiring of each of them on loop. As the eye attempts to take them all in, the murder soon seems entirely unimportant.

After returning home to his long-estranged mother upon a request from her deathbed, a man raised by his parents in an orphanage has to confront the childhood memories that have long haunted him.

The Vampire Lestat goes on tour while being haunted by "muses" from his past. As the band's popularity grows, so does Lestat's influence over vampires & humans alike, leaving others to contend with Lestat's power in the face of the Great Conversion.

When he takes his girlfriend to a seedy abortion clinic in the back room of a combination hair salon / bordello, Guy Maddin meets the madam’s daughter and falls in love. But she won’t let any man touch her until her father’s murder has been avenged.

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…

Guy Maddin, who has been nicknamed the Canadian David Lynch, is undoubtedly one of the last remaining Magi of cinema. Despite living in the middle of the digital age, this heretical director hailing from the snowy plains of Canada has spent 25 years transposing the uncommon and the uncanny onto screens over-saturated with naturalistic imagery. A lover of primitive cinema, he has cunningly summoned the light-and-shadow techniques and experimentations of the Golden Age of film to resuscitate a unique cinematographic language which plays with the spectator’s unconscious by means of visual trickery as disturbing as it is absurd. In an attitude as playful at that Maddin’s films this documentary follows the mediumistic experiments of this master of illusion, filmed during the ‘’spirit’’ shootings he presented in Europe.

Set in a blazing land where the sun ceaselessly shines, this dramatic fantasy examines love’s darker aspects.

An anthology film following different stories around the theme of invisibility in the modern world.

A submarine crew, a feared pack of forest bandits, a famous surgeon, and a battalion of child soldiers all get more than they bargained for as they wend their way toward progressive ideas on life and love.

A young woman named Savannah Knoop spends six years pretending to be a transgender writer named JT Leroy, the made-up literary persona of her sister-in-law.

At the height of the October Revolution during the 1919 allied intervention in Arkhangelsk, the exploits of one-legged Canadian soldier Lt. John Boles are told, after he is taken in from the cold by a dysfunctional Russian family and mistakes a local woman for his presumed dead lover.