Guy Maddin

En route to the annual G7 summit, the seven leaders of the world’s wealthiest liberal democracies get lost in the woods and face increasing peril while attempting to draft a provisional statement regarding a global crisis.

Two paranoid brothers are consumed with murderous fantasies after a horse convinces them that they are each others’ enemies. Starring Guy Maddin (My Winnipeg, Forbidden Room) and Milos Mitrovic (Tapeworm, Stump the Guesser).

A young woman named Savannah Knoop spends six years pretending to be a transgender writer named JT Leroy, the made-up literary persona of her sister-in-law.

A submarine crew, a feared pack of forest bandits, a famous surgeon, and a battalion of child soldiers all get more than they bargained for as they wend their way toward progressive ideas on life and love.

Gangster and deadbeat dad, Ulysses Pick, embarks on an unusual journey through his home.

A medieval cult travels to the 20th century and kills people in an attempt to bring about the end of the world. The policeman must stop them by summoning the spirit of Nostradamus.

After returning home to his long-estranged mother upon a request from her deathbed, a man raised by his parents in an orphanage has to confront the childhood memories that have long haunted him.

In Depression-era Winnipeg, a legless beer baroness hosts a contest for the saddest music in the world, offering a grand prize of $25,000.

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…

An anthology film following different stories around the theme of invisibility in the modern world.

An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.

The mountain-village passions of a German widow and her sons unfold in the style of a 1920s expressionist movie.

A cinematic version of the Royal Winnipeg Ballet's adaptation of Bram Stoker's gothic novel Dracula. Filmed in a style reminiscent of silent Expressionist cinema of the early 20th century (complete with intertitles and monochrome photography), it uses dance to tell the story of a sinister but intriguing immigrant who preys upon young English women.

The camera’s roving eye seems to warp and bend a mysterious white room in this unsettling excerpt from a film Guy Maddin created for the opening of the Toronto International Film Festival’s Bell Lightbox building.

The geographical dead center of North America and the beloved birthplace of Guy Maddin, Winnipeg, is the frosty and mysterious star of Maddin’s film. Fact, fantasy and memory are woven seamlessly together in this work, conjuring a city as delightful as it is fearsome.

Sam, a young film student, discovers a USB detailing the life and career of forgotten Italian horror director Saturnino Barresi. As she begins to investigate his mysterious disappearance, Sam finds herself pulled into a violent conspiracy eerily similar to those of the films she adores.

A jovial shirtless man attempts to rouse a contingent of lethargic dancers to life in NUDE CABOOSE. His highjinks really get the deadbeats bustin' out until something unusual catches his eye. Dance floor seduction distilled into a fateful moment!

Commissioned by the Toronto International Film Festival to mark the event's 25th anniversary in September 2000, the "Preludes" program consisted of ten short films by Canadian directors which were inspired in some way by the festival. Each film screened as a prelude to a feature film in the 2000 Toronto International Film Festival program. The full "Preludes" anthology was screened on the web in November 2000, and was given theatrical retrospectives at the TIFF Lightbox in the subsequent years.

Set in a blazing land where the sun ceaselessly shines, this dramatic fantasy examines love’s darker aspects.

Guy Maddin, who has been nicknamed the Canadian David Lynch, is undoubtedly one of the last remaining Magi of cinema. Despite living in the middle of the digital age, this heretical director hailing from the snowy plains of Canada has spent 25 years transposing the uncommon and the uncanny onto screens over-saturated with naturalistic imagery. A lover of primitive cinema, he has cunningly summoned the light-and-shadow techniques and experimentations of the Golden Age of film to resuscitate a unique cinematographic language which plays with the spectator’s unconscious by means of visual trickery as disturbing as it is absurd. In an attitude as playful at that Maddin’s films this documentary follows the mediumistic experiments of this master of illusion, filmed during the ‘’spirit’’ shootings he presented in Europe.

At the height of the October Revolution during the 1919 allied intervention in Arkhangelsk, the exploits of one-legged Canadian soldier Lt. John Boles are told, after he is taken in from the cold by a dysfunctional Russian family and mistakes a local woman for his presumed dead lover.

While their mother is dying in the modern Gimli, Manitoba hospital, two young children are told an important tale by their Icelandic grandmother about Einar the lonely, his friend Gunnar, and the angelic Snjofrieder in a Gimli of old.

When he takes his girlfriend to a seedy abortion clinic in the back room of a combination hair salon / bordello, Guy Maddin meets the madam’s daughter and falls in love. But she won’t let any man touch her until her father’s murder has been avenged.

Sailors in repose on an island paradise seemingly have no worries of war or danger — until a playful gesture is interpreted as an act of wilful aggression. Soon, the innocent act of slight slapping becomes a relentless and unforgiving orgy of open-palmed face-smacking.

The Vampire Lestat goes on tour while being haunted by "muses" from his past. As the band's popularity grows, so does Lestat's influence over vampires & humans alike, leaving others to contend with Lestat's power in the face of the Great Conversion.