Felicità

Tbilisi, early 1980s. From the outside, everything seems calm, but behind this tranquillity there is turmoil. Manana, who used to be a movie star, is no longer remembered by any director. Her childhood friend Rusudan suffers from loneliness despite a successful scientific career. Manana's aunt, Matiko, mourns her late husband. Her daughter, 19-year-old Salome, and her friends are also facing life's difficulties. Through strange coincidences, the lives of the film's characters become intertwined...

Greatness paired with modesty: 93 years old and a daughter, world-famous director Lana remembers her mother Nutsa, Georgia’s first female filmmaker. A cinema legacy that revolves around being human in dark times: feminist, loving, critical of violence.

Elene is an 80-year-old writer who lives with her family, forced to stay home due to health conditions. Her comfort is cracked when her daughter's mother-in-law, Miranda, a former Soviet official, moves into the apartment, and Elene receives an unexpected call from an old love interest, Archil.

A forty-year old who lived a comfortable life in the Soviet Union, ends up in Georgia in the difficult condition of having to adapt to change. She is granted a loan at a high interest rate and little by little becomes drowned in debt, trapped in a vicious circle that she can’t get out of.

Set in 1937 Stalinist Georgia, the film traces the parallel destinies of a mother, condemned by the government as "an enemy of the people" and exiled to a work camp in Siberia, and her daughter, who meanwhile is sent to an orphanage. Arriving at the overcrowded work camp, the mother and other women who are not considered strong enough to be labourers, must journey still farther, crossing the icy Siberian landscape in search of food and shelter. At the same time, the daughter escapes the orphanage and returns to her former home, where she finds that a KGB officer has taken up residence. He protects her and an uneasy rapport between them develops—one of abhorrence and attraction, need and suspicion.

Sophiko, a well-known journalist, seems to be more close to many of her respondents when they need her advice than to her family members. All engrossed in her work, she suddenly finds out that she is losing her husband who has started a love affair with another woman. Of course, it strikes her badly but life never lets her to concentrate on her personal problems.