Aphasic correspondences

Look at a moment of a city turned into a cemetery. A dialogue between the living, the dead, gods and monsters that coexist on the mundane level. Two people protected behind a camera. Which of the two turns that tool into a noble weapon and who into a throwing knife with the blade dipped in poison?

The director delves into the fragments of his own memory, blending images, words, and silences in a film essay that explores identity, memory, and the impossibility of coherent self-narration. A broken self-portrait, reconstructed from the image.

Samuel tries to help his mother, Manuela, overcome a state of apathy that prevents her from coping with everyday life. As he searches for ways to help her regain her independence, the emotional weight of the situation begins to take its toll on him, testing his patience, his limits, and his ability to move forward with his own life.

Segismundo Morey has spent his last few years facing the challenges imposed by Andrade’s rare disease. This medical condition, which affects his nervous and muscular system, has left a deep mark on his daily life and that of those around him. Over the years, Segismundo has had to overcome physical and emotional obstacles, dealing with difficulties in walking and moving normally. However, despite the constant challenges, he has found comfort and strength in the unconditional love and support of his family. Together, they have faced the adversities of Andrade’s disease, forming an indestructible bond that has been key in their shared journey.

A man trapped in an aimless routine becomes the spectator of his own life as he wanders through the urban landscapes of his city in search of something that gives him meaning. Between memories and ghosts, he faces his doubts and longings, questioning what is real and what is just a projection of his loneliness.

Experimental piece composed of images of dancers warming up.