This is Not a Film

Look at a moment of a city turned into a cemetery. A dialogue between the living, the dead, gods and monsters that coexist on the mundane level. Two people protected behind a camera. Which of the two turns that tool into a noble weapon and who into a throwing knife with the blade dipped in poison?

The director delves into the fragments of his own memory, blending images, words, and silences in a film essay that explores identity, memory, and the impossibility of coherent self-narration. A broken self-portrait, reconstructed from the image.

An audiovisual essay constructed from Super 8 footage filmed during camera tests for the short film ‘La Trampa’. Through gestures, light, and silences, it reflects on what the image reveals and what it leaves unsaid.

Segismundo Morey has spent his last few years facing the challenges imposed by Andrade’s rare disease. This medical condition, which affects his nervous and muscular system, has left a deep mark on his daily life and that of those around him. Over the years, Segismundo has had to overcome physical and emotional obstacles, dealing with difficulties in walking and moving normally. However, despite the constant challenges, he has found comfort and strength in the unconditional love and support of his family. Together, they have faced the adversities of Andrade’s disease, forming an indestructible bond that has been key in their shared journey.

Experimental piece composed of images of dancers warming up.