Ida Who Sang So Badly Even the Dead Rose Up and Joined Her in Song

Somewhere far away from the village and people, four hundred wind gusts away, Marija and Drevo are dealing with the acceptance of the upcoming loss of their friend.

An ambitious photographer from a rural background tries to survive in the big city. To earn some money and perhaps shine in a prestigious society, she attends a posh party. Hanging out with the people there, she decides to radically change her life. Can she make it without killing anyone in the process?

For decades, Kinoatelje has explored the cinematic heritage of the Gorizia area, tracing memories and stories that cross borders. From this legacy emerges a new chapter: an episodic film entrusted to a new generation of filmmakers. This collective film was shot in Gorizia in the summer of 2025 - among streets and rivers where stories intertwine, in a threshold city shaped by its own pulse. Under the artistic direction of filmmaker Alessandro Comodin, and inspired by Sandro Scandolara’s book Nostro cine quotidiano, five filmmakers - Laura Samani, Ester Ivakič, Otto Lazić-Reuschel, Jan Devetak and Francesco Sossai - have dismantled the border to create a polyphonic portrait of the city.

Jelena and Jastog flee war and find refuge in the mountains, where they brace themselves for a fatal meeting with a scary phantom from Jelena’s childhood and play badminton. But you are never really alone in the mountains, and they quickly get company. Life is just sick.

Experimental short fiction film.

Two girls play detectives and discover a real serial killer.