Lara Maria Vouk

A Slovenian thriller feature.

Matej returns from Germany to visit his father Rado in Slovenia to ask him for help in financing the apartment he wants to buy with his pregnant girlfriend. At the meeting, he learns that his father was thrown over the threshold of his own company, and after additional research, he learns that he is in very large debts, and his house is also hanging in the balance. Matej wants to solve his father's problems, even if by less legal means.

Ivan Cankar experienced many things only after he has written about them. In the film, this link between his writing and his private life is depicted by live-action and animated scenes that draw exclusively on the writer’s works and letters to his loved ones. For an entire decade, he lived with the Löffler family in Vienna, where he wrote most of his impressive oeuvre. First, he grew very close to the lady of the house, then to her adolescent daughter Steffi. Back in Ljubljana, he got involved with several girls there, an attentive lover of a cheerful nature, accessible and highly intelligent. His popular public lectures reveal him as a passionate social democrat.

In a distopian future few shoemakers are working under an all seeing eye of the factory owner.

All of a sudden world have become very different for Jasna, or has it always been this way? She doesn't try to find out, she rather lives in now as it is. Doing so she meets a younger boy Pero which she finds a bit shady but cool and together they go on a journey to find out how meaningless is what was and will be.

Two women of different generations encounter, each in its own way dealing with issues of life and death, and spend a day together.

Somewhere far away from the village and people, four hundred wind gusts away, Marija and Drevo are dealing with the acceptance of the upcoming loss of their friend.

The film discusses the sub-bituminous coal mining process from tree cutting to the renaturation of open-pit mines. Lusatian villages and, with them, the Sorbian culture have been mined for nearly 100 years. 136 villages, 125 of them Sorbian-German, have disappeared since 1924. The film questions the equality of constitutional law and nature protection. A pond where thousands of European fire-bellied toads (Bombina bombina) have been moved serves as an allegory of the lost villages, while an acoustic metaphor for the missing balance between human rights and nature conservation could be found in alternating soundtracks – European fire-bellied toad vs. the background noise of an open-pit mine.

Inspired by a real event, the film follows 27-year-old Lara (newcomer Diana Kolenc), a paramedic intern who helps bring 30-year-old Kristijan (Vito Weiss) into the hospital, after he was brutally beaten on a Facebook live stream that was seen by 20,000 people and no one called the police. Although Kristijan is in a coma, Lara starts to receive video clips from his Facebook profile, showing unidentified persons watching him get beaten. She reports this to detective Borut (Jure Henigman, from A Trip and Dual), who starts an investigation. All the observers, who appear in the video clips, will become Lara’s nightmare in her real life. She soon realizes that she is also an accomplice in this horrible event.

A STORY ABOUT LOVE AND VIOLENCE. Linz, 12 March 1938: Milena, a young communist, is in a secret relationship with the seamstress Anne. Faced with the Austrofascist government under Schuschnigg and the Nazi invasion, she is at a loss as to whether she should stay with Anne in Linz or return to her family in Southern Carinthia. As she is trying to figure out what to do, she meets Johann, a soldier in the Wehrmacht, who is very keen to get to know her better.

Špela graduated in Art History and has never had a steady job. Unlike her two best friends, who have moved out of Slovenia years ago with no plans to return, she is determined to stay in Ljubljana. When even her longtime boyfriend gets a job abroad she moves back in with her parents and her grandma. But Špela wants to grow up and cut the cord instead of delaying her already well overdue adulthood any longer.

A Slovenian horror short.

An (un)ordinary day of an (un)ordinary family without hands.

Ten-year-old Ida believes that the mysterious angelic singing resounding across the village graveyard is the only thing keeping her beloved Grandma alive. So she decides to join the school choir-even though she is absolutely tone deaf.

A detective runs into his violent brother he hasn't seen in twelve years. While trying to help him, his actions trigger repercussions that will shake their lives to the core.

Two lost souls are waitng for a bus in the middle of nowhere but instead a woman appears.

In "Stealing the land", parents fight not only for a better future for their children, but also for their own egos. When a schoolyard game sparks a political debate in the kitchen, an evening of absurd conflicts, low blows and unexpected confrontations begins. The film unrestrainedly provokes, entertains and exposes the grotesqueness of a society where the lines between play, education and the real world become dangerously blurred and the rules increasingly confusing - for children and adults alike.

The story is set in the 112 information center, the main protagonists are two sisters, Aleša and Mia. The elderly Aleša performs a very stressful and at the same time poorly paid job in the 112 information center. Her already tense everyday life becomes even more complicated when, after many years of studying abroad, her younger sister Mia returns, without money, a job or friends, and, of course, takes refuge on the couch with her older sister. While Aleša struggles with burnout, Mia tries to find her place in this world. While saving the hardships and lives of others, will the sisters also be able to save their own?

Driving home from a New Year's Eve party, Chief Inspector Taras Birsa notices a police car by the road. He stops, and inadvertently gets involved in an investigation of a brutal murder of a young woman.

The series follows the events of the lives of two different young couples, bringing them together friendship between the boys Ales and Sadi. Ales and Maja are already getting into the routine of being in common lives, and Sandi and Nika are just fresh in love. It pairs with each other they are completely different. Ales and Maja's routine is a little scary for a lover, the playfulness of Sandi and Nika awakens Ales and Maja. Humorous insight into everyday life the happenings of modern youth who are stepping into the unknown at the threshold of adulthood.