La gerla di Papà Martin

A married woman hits a pedestrian with her car who requests that she must perform a particular punishment as a penance.

I figli non si vendono (literally, Children must not be sold) is a 1952 Italian melodrama film by Mario Bonnard

The film, a swirling drama of love and death, is loosely adapted from Nathaniel Hawthorne’s 1860 novel The Marble Faun. Princess Maria (Elena Sangro) is married to the Duke of Helgoland (Ugo Bazzini), the leader of an anti-government plot about to be exposed by their house guest Count Giorgio (Carlo Gualandri). Giorgio tries to involve Maria, and in his fatal fight with Helgoland, her husband is killed using the knife that Maria hands to Giorgio. Forced to flee, they meet up again in Rome, where Maria has changed her name to Myriam and Giorgio has become a monk. Giorgio still desires Myriam, who rejects his advances, and she convinces her suitor Donatello (Giorgio Fini) to kill him.

Based on the famous historical novel by Alessandro Manzoni, and set between 1628 and 1630 in Lombardy, Northern Italy, during the Spanish domination, the film displays the marriage between two young textile workers, Renzo and Lucia. The 1922 version is one of the most ambitious and spectacular films in all Italian silent cinema, with remarkable mass scenes and some images that sparked controversy.

An eccentric millionaire brings together four men who, under different circumstances, wanted to commit suicide. The proposal made to them is the following: they will travel to an islet that, according to legend, emerged from the sea when Atlantis sank and that houses a fabulous treasure buried by the Incas. But that territory is populated by the worst band of pirates and evildoers the world has ever known.

The construction of great temple dedicated to the goddess Aphrodite, followed by new and high taxes and the arrival of a plague, create discontent in the population, and threatens the love between a sculptor and a slave.

In Naples, a local composer falls in love with an American tourist.

While Rodolfo tries to become a lyric singer, his lifestyle deeply annoys his father-in-law.

A fantasy film about the knight Parsifal, who has to protect the Holy Grail from wizards.

An ex-boxer has trained his own son and leads him on to win the middle-weight championship of Italy. But the boy falls easy prey to a woman of light morals and renounces the hard work of sport to follow her to a winter luxury resort and at a certain moment, offers to marry her but she, not wanting to give up an advantageous connection, turns him down, advising the youth to not change the nature of their relationship. Then, the boy feeling the entire baseness of his situation, returns home to his parents who welcome him back with joy and takes up again a commitment to sport.

Professor Branck invented Fortuna a machine providing absolute luck, fortune and success, to whoever uses it, provided they are a virgin. Trying the experiment, Lucien Lepur, a street vendor who has never known a woman before, becomes the man of all successes. But he soon regrets Micheline his fiancée and finds himself under the influence of Professor Branck. Helped by Casimir, Micheline snatches Lucien from Professor Branck. Falling into her arms, Lucien loses all his powers but wins love.

In 1915, at a time when Austria, Germany and Italy were supposed to be allied, two Italian brothers are pitted against each other not only for divisive politics but also because they love the same girl, Anna, the niece of an Austrian lieutenant.

Glaucus, a demobilized centurion returns home to Pompeii to find his father murdered by a gang of black-hooded Christian robbers that terrorizes the city and he decides to investigate the matter while the nearby volcano threatens to erupt.