Pelléas and Mélisande

Filmed on tour at Berlin's Philharmonie, this account of the valedictory Ninth Symphony is an intense interpretation, expressing Bernstein's conviction that modern man had at last caught up with the message encoded in Mahler's last completed work. Having made his famous 1966 studio recording of "Das Lied von der Erde" in Vienna, Bernstein re-recorded this in Israel with the same searing subjectivity. René Kollo draws on the voice of a great Wagner tenor, while Christa Ludwig, the greatest exponent of the contralto songs at the time, is unbearably poignant in the final movement's fusion of elation and sadness.

BBC Young Musician (Young Musician of the Year) first appeared on our TV screens in 1978. The brainchild of BBC producers Humphrey Burton, Walter Todds and Roy Tipping, the biennial competition has developed an enviable reputation for finding superstar musicians including Nicola Benedetti, Mark Simpson and Sheku Kanneh-Mason.

Candide falls in love with the beautiful but materialistic Cunegonde. Her barron father doesn't approve of the affair so Candide wanders, meeting all the misfortunes along the way.

Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.

Documentary about the influential pop composer and record producer Joe Meek, who died in dramatic circumstances in 1967 after a bizarre childhood and a career, often controversial, which spanned the period from the mid-50s to the rise of the Beatles in the 60s. At the end of his life he was suffering from paranoid delusions that people were watching him through walls. Alan Lewens' film charts an Ortonesque tale of post-war Britain.

A music miniseries, filmed largely on location in Vienna and Germany, not only featuring Bernstein but also, noted actor Maximilian Schell, who not only provided commentary on Beethoven, but read from his letters. The miniseries contains performances of all of Beethoven's symphonies as well as several overtures, a string quartet that Bernstein re-orchestrated for the entire string section of the Vienna Philharmonic, and the Missa Solemnis, all conducted by Bernstein. It also contains commentary about the music by Leonard Bernstein.

Leonard Bernstein conducts three symphonies by Ludwig van Beethoven: Symphony no. 3 in E flat major, op 55 ('Eroica'), Symphony no. 4 in B flat major, op 60 and Symphony no. 5 in C minor, op 67, all performed by Wiener Philharmoniker in Vienna in 1977-8.

Live from ROH 1985. Giordano's Andrea Chenier is one of the greatest of verismo operas, full of heart-stopping big tunes and powerful emotional situations. If it is not as well-known as it should be, it is because in summary it sounds a little too like Puccini's Tosca: there is a tussle between political opponents over a woman, an attempt to save a condemned man, a tenor aria about writing poetry on the eve of execution. The difference is that Gerard (Giorgio Zancanaro) is not a villain like Scarpia, he is an idealist whom the French Revolution has betrayed as much as it has his rival the poet Chenier (Placido Domingo). His temptation to abuse his power to seduce the virtuous Maddalena (Anna Tomowa-Sintow) is a momentary one, though its consequences are terrible. There is a streak of post-Wagnerian decadence in much of this--Maddalena is at least as much in love with death as she is with Chenier, and the final love duet has a deeply sinister aspect. -- From Amazon.co.uk

This is the Andrei Tarkovsky production of the famous Pushkin/Mussorgsky opera, performed in 1990. Modest Mussorgsky's opera in prologue and four acts is performed by the Kirov Opera with performances from Olga Borodina, Alexei Steblianko and Sergei Leiferkust. Boris Godunov has obtained the throne of Russia by murdering the rightful heir Dmitry. An old monk, Pimen, witnessed this, and convinces his apprentice Grigory to avenge Dmitry's death. In the following years Grigory poses as Dmitry, raising an army against Boris, who is now convinced that he is being punished for the murder. Filmed in Russia during the collapse of the Soviet Union, this particular production of Mussorgsky's 1872 tale of political upheaval is considered a highly unique and historical moment in opera. Robert Lloyd stars in the title role of Boris Godunov.

An astonishing documentary of the life of classical composer Sir Edward Elgar. This partly dramatised account is remarkable for its sensitive portrayal of the rise of a young musician from an underprivileged background to international fame.

Haydn’s Creation, the culmination of his life’s work, in a legendary 1986 performance conducted by Leonard Bernstein in the exquisite Baroque splendor of the Benedictine Abbey of Ottobeuren, Bavaria, now available on DVD for the first time. This spectacular performance also includes Bernstein’s spoken introduction to the performance —always an invaluable addition to any concert. This work, considered by many to be Haydn’s masterpiece, depicts the creation of the world as inspired by the texts of Genesis, the Book of Psalms and Milton’s Paradise Lost. Though deeply religious in conception, the oratorio gives a physical sense of the immensity of nature and the world’s creation. “The Creation gives us time to remember—and rejoice in— the purity and grace and fortitude of Nature, to restore our souls, to recover our moral strength, and to rediscover our power to praise”—Leonard Bernstein

"Four Ways to Say Farewell" is a personal introduction to Mahler and his Ninth Symphony, during which Leonard Bernstein is seen and heard rehearsing the Vienna Philharmonic Orchestra. Filmed in 1971, this rehearsal was directed by Humphrey Burton,

Released as a memorial for the great Russian cellist Mstislav Rostropovich, who passed away on 27 April 2007, this DVD contains one bonafide cello concerto, the Schumann Cello Concerto in A minor, and two tone poems with prominent cello parts, Ernest Bloch's Schelomo and Richard Strauss' Don Quixote. Rostropovich mastered the Schumann in several famous recordings. Here, conducted by Leonard Bernstein, he provides a splendid performance. Featuring his trademark powerful technique, smooth legato and crisp vibrato, the Romantic roots of the concerto are never hidden for long, despite the relatively cool playing of the Orchestre National de France.

A study of Antoni Gaudí's architecture, his sources of inspiration and his influence on Picasso.

You will find this Requiem the finest on video. It certainly outshines Bohm's dated approach, and Bernstein's lethargically slow performance. (No disrespect to them, I enjoy them but this is better :) It also gives us a superb opportunity to view Solti at work, and I wonder why don't have more of his performances on video. One may also enjoy seeing (and hearing) Rene Pape at only 27 years old, likewise Cecilia Bartoli in her young prime.