Pelikula baten bila

Lucía is an eight-year-old girl, who sometimes struggles as the world tries to catch up with the fact that she is trans. As the summer holidays pass, she explores her femininity alongside the women of her family who at the same time reflect on their own femininity.

Miguel and his uncle Kechus want to make a film about the vampire world.

Faced with life changing news, María, a fifty-five-year-old Spanish woman from Bilbao, chooses to take a trip to Greece with her closest girlfriends against the advice of her son and doctors. A spontaneous decision leads her to the island of Nisyros, a tiny haven of peace and calm that immediately feels like home. While exploring the beautiful island and soaking in its hidden treasures, she meets Stefanos and finds herself falling in love against all odds.

Vitoria, Basque Country, Spain, March 3, 1976. After several months of protests demanding decent working conditions, a general strike is called. Thousands of workers gather at the church of San Francisco while a hundred heavily armed policemen wait to act.

Nora is 30 years old; she lives with her Argentinian grandfather Nicolás and regularly takes care of her friend Meri's children. She writes the horoscope for the town newspaper, although her dream is to be a travel writer. When her grandfather dies, she inherits an old Dyane 6. Despite being a terrible driver, Nora will set out aimlessly on a road trip along the Basque coast so that her grandfather's ashes may finally rest beside those of her grandmother. The road will soon teach her that she's not a born traveller and that her dream had nothing to do with roving, but was only an excuse for the chance to be free, to grow, to close wounds and, for the first time, to find her own happiness.

After traveling far from home in pursuit of a better future, June comes back to her hometown to try to restore broken bonds with Diego, her first love, and her father. She will try to bring back their teenage years dream of moving to Berlin. However, she will soon realize that years have changed Diego, he is now reclusive and never leaves his house.

Desi, Samara, and Aurora, three Roma women, go down to the city center to buy a gift for one of their niece's children.

Amid laughter and companionship, a group of gypsy women improvise sequences in a room at the Otxarkoaga Civic Centre. The soft morning light filters through the purple curtains, while one of them dissects a film about a group of gypsy women at a performance workshop. Reality and fiction merge. Playfulness, fun, empowerment and sisterhood all combine in this documentary, intended as a love letter to the gypsy women of the Basque Country. A bridge, a joyful song and hands clapping in the wind, reminding us that stories (even if improvised and invented) are what we need to bring different people together.

Donostia-San Sebastián, Basque Country, Spain, 2011. Maider, a filmmaker, moves to the very same flat where pedadogist Elbira Zipitria Irastorza (1906-1982) clandestinely established the first ikastola, a Basque school, under the harsh regime of dictator Francisco Franco. Despite of her pioneering work, developed throughout thirty years, her story is not well known, so Maider, intrigued, begins to research…

As every summer, tomato day arrives. Nella and her family reunite to celebrate the family tradition at their summer holiday home in Italy.