Garazi Urkola

French Basque Country, year 1609. The men of a small fishing village have gone to sea. Judge Rostegui, who has been charged by the king with ridding the country of the devil's wiles, arrests Ana and her friends and accuses them of witchcraft.

Alma is fifteen years old, she sings in the town choir and begins to connect with her sexuality. Her father, Kike, director of the choir, has lost his voice due to a laryngectomy. As the concert they prepare together for the summer holidays draws near, tensions rise between father and daughter.

Summer of 1976. Bea is 16 years old and she collaborates with a group of women to make visible the feminist cause and achieve the approval of the right to abortion. The rebellion she feels in the blood will mix with an unexpected feeling that will disrupt her the inner world. Throughout these months, Bea will engage in a very special friendship with Miren, older than her. Her political commitment and her relationship with Miren will turn that summer into a stage that will mark her life forever.

Zazu, a teenager in the midst of discovering their identity, must choose whether to take part in their village’s traditional celebration by assuming a predetermined role, or stay true to what they feel.

A group of actresses and a director living in a house under construction for a week. Improvised fictions, karaoke and cinema. The search for a film as an improbable goal. Sorority, laughter and collective creation to invent a film-experience about the craft and the creation process of this group of women.

An unresolved debt and three thugs who are going to take care of the matter, but what is going to happen is not going to go at all as planned.

This documentary recounts the story of the ETA militant Lucía Urigoitia, who died in 1987 in Pasaia at the hands of the Civil Guard, in circumstances which remain unclear. Based on the account given by the Urigoitia family's lawyer and the forensic scientist involved in the case, the narrative pores over the contradictions and doubts surrounding the process. The tree stands out in the documentary as a symbol of the need for a complete memory, as opposed to the idea of one single memory.