Soegija

Set in and around a mosque in sprawling Jakarta, Indonesia, during the Muslim holiday of Lebaran, the interwoven stories of family, faith and romantic love in this humorous yet poignant film are revealed through the eyes of kids.

Mayang, Harris, and Topan were best friends since childhood. Mayang, a columnist in a female magazine, had been married to Harris, a professional, while Topan was still single and became a photographer. Mayang and Harris went for a vacation to solve their problem. Topan was invited to join them because eventually he intended to go to the same direction. On the trip, the problems of the three unraveled. Harris had sexual difficulty because of his past trauma. Mayang, who tried to understand and help, was almost unsuccessful. Turns out Topan still harboured his childhood love for Mayang. As for the climax, Harris was suspicious towards Mayang and Topan. A film that portrays sexual problem not in a vulgar way.

Darta, a man from an impoverished family, is rejected by the wealthy parents of the woman he loves. Desperate, he strikes a bargain with the Monkey King, performing a dark ritual to gain wealth. However, in doing so, he accidentally curses his wife and child to a life of suffering. Rooted in Indonesian mysticism, this universal narrative explores the insatiable hunger to become something one is not and the boundaries one is willing to cross to achieve it.

Sparks fly when a fashion blogger in Bali meets a gifted shoemaker, leading her to question her commitment to her fiancé.

To reconcile after a final divorce, a former couple must navigate a legally required interim marriage, leading to unexpected jealousy and drama when the ex-husband repeatedly interferes in her new relationship.

The poet Ibrahim Kadir plays himself in a political drama about his arrest and incarceration in Aceh in the 1960s. Kadir survived the mass murder of suspected communists by the Indonesian government that cost between 500,000 and two million lives.

After encountering a group of bandits with plans to rape and steal from her, a young widow ventures into the wilderness in search of justice.

Words of poetry spell certain death when a young woman grows increasingly distraught after a string of unusual murders take place.

In 1927 colonial Indonesia, a young woman trapped as a Dutch man's concubine fights for dignity in a world that sees her as nothing more than property.

Juno was just a child when his father abandoned him from their village in Central Java. Abandoned and alone, he joins a Lengger dance centre where men shape their feminine appearance and movement. The sensuality and sexuality that came from the dance, mixed with the violent sociopolitical Indonesian environment, forces Juno to move from village to village.

A Papuan teenager becomes fixated on his first kiss after meeting a woman at the port, unaware that his father's fight for justice has put their family in grave danger.

Realistic fairy-tale about conflicts between the traditional society on an Indonesian island and the modern world.

The Indonesian society is seen through a middle-aged lady's eyes in her daily encounters with the street children who work and live off the harsh and sleazy world of adults.

A cheerful yet serious Indonesian Romeo and Juliet. A boy and a girl from the same district, but with difficult childhoods and other reasons not to acknowledge their love. Through the colourful and musical retro style - the 1970s came late to Indonesia - shines a chaotic political and social era.

Pertiwi, a strong and independent woman who took care of her three children: Adam, Sekar, and Isham until they became adults and left their hometown. Her husband died after losing the village head election against his rival, Janji Upaya. The children of Pertiwi, who blamed Janji Upaya for their father's death, harbored deep feelings of resentment towards Janji Upaya.

This is the story about Setyo, Siti and Ludiro, who were the performer of Javanese Ramayana's Wayang Wong. Setyo and Siti are spouse who live in a village by selling earthenware products. In the village, live as well Ludiro, the head of the stockyard, who is very wealthy and secretly in love with Siti. Conflicts arrived as Setyo's earthenware company is going bankrupt and Siti started to took notice in Ludiro's desire to win her love. These triangle love transform into a civil war in the village that brings not only extremity and injustice, but also the death of the loved ones.