Glenroy Brothers (Comic Boxing)

"This scene shows almost the entire Fire Department led by the Chief, responding to an alarm. The horses, said to be the finest of their kind in the country, present a thrilling spectacle as they dash rapidly by, flecked with foam, and panting from the exertion of their long gallop"--Maguire & Baucus catalogue. 50 ft. strip, filmed November 14, 1896, in Newark, New Jersey.

A short film depicting the execution of Mary, Queen of the Scots. Mary is brought to the execution block and made to kneel down with her neck over it. The executioner lifts his axe ready to bring it down. After that frame Mary has been replaced by a dummy. The axe comes down and severs the head of the dummy from the body. The executioner picks up the head and shows it around for everyone else to see. One of the first camera tricks to be used in a movie.

William K.L. Dickson plays the violin while two men dance. This is the oldest surviving sound film where sound is recorded on the phonograph.

King of the slack wire. His daring feats of balancing as he performs his thrilling feats in midair show that he is perfectly at home.

A short Edison Black Maria studio film featuring famed sharpshooter Annie Oakley, known as “Little Sure Shot.” Born Phoebe Ann Oakley Mozee in Ohio in 1860, she rose to global fame performing with Buffalo Bill’s Wild West show. Accompanied (likely) by her husband and fellow marksman Frank Butler, Oakley’s diminutive stature belied her legendary marksmanship.

Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.

Annabelle (Whitford) Moore performs one of her popular dances. For this performance, her costume has a pair of wings attached to her back, to suggest a butterfly. As she dances, she uses her long, flowing skirts to create visual patterns.

They get ready to kiss, begin to kiss, and kiss in a way that brings down the house every time.

The busiest corner in Chicago. Cable cars and street traffic of all descriptions. Hundreds of shoppers. Fine perspective view looking north toward the Masonic Temple.

"The famous parade ground of Metropolitan fashion. Exquisitely gowned women, club men, actresses, millionaires pass by on their afternoon stroll." - from the Edison Catalog

The dancer Fatima, well-known for her dancing shows at the World's Exhibition in 1893, performs for the camera. She opens her act by twirling around a few times, and then she does the 'muscle dance' for which she had attracted considerable notoriety.

From Edison films catalog: One of the most peculiar customs of the Sioux Tribe is here shown, the dancers being genuine Sioux Indians, in full war paint and war costumes. 40 feet. 7.50. According to Edison film historian C. Musser, this film and others shot on the same day (see also Buffalo dance) featured Native American Indian dancers from Buffalo Bill's Wild West show, and represent the American Indian's first appearance before a motion picture camera.

1897 version of Annabelle Moore performing a serpentine dance.

A man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the second motion picture to be copyrighted in the United States.

A referee and five fans (including a waiter in his apron) look on as two young men box. The dark-haired, slightly taller boxer throws a right and the light-haired smaller one goes down; but he's up before the referee starts counting. After the knockdown, the boxers mostly hit each other's gloves. The fans, at least one of whom is sitting inside the ring, show no animation. They're all men, dressed in a range of late 19th-century garb.

A fellow in a wide-brimmed hat, with a willowy stick for a rod and a baited hook, sits down on a plank hanging over a bridge above a stream. He sticks the rod under his seat and picks up his bottle to take a swig. Behind him creeps a joker who removes the large flagstone that's holding the fisherman's plank in place.