Alibi Mark

Ann Annington (Minter) writes book reviews for a newspaper and when a reporter fails his assignment to get an interview with the noted author Harold Hargrave (Glass), she undertakes to meet the young man. She rents the room next door to his work shop and by impersonating a maid soon wins his good graces.

When his honeymoon is over, Knox Randall shifts his attention from his wife Ailsa to his business. Feeling neglected, Ailsa accepts her sister-in-law Clarissa's advice that a little jealousy might re-ignite her husband's interest. Undertaking a harmless flirtation with playboy Porter Maddox, Ailsa discovers that Clarissa has fallen madly in love with Maddox, who is using her to accumulate confidential information regarding Wall Street secrets. When Ailsa overhears Clarissa making plans to elope with Maddox, she hurries to save her sister-in-law.

Joel Parker is sent to college by his crabby farmer father only because it was his mother's dying wish that he get an education. At college, he's immediately pegged as a chump and is constantly victimized by the other students, headed by Jimmie Slater. Only Abbie Nettleton, who works at the campus bakery, has any sympathy for him.

"The Stranger," an outcast who works in a saloon frequented by Peggy Bowlin, a poor girl suffering through hard times. She finds romance with Larry Darrant and her life begins to improve. They make plans to wed and leave England, but when a convict assaults Peggy, Larry gets involved and accidentally kills him. The Stranger is arrested for the murder, but he refuses to declare his innocence because he doesn't want to destroy Peggy's happiness.

A ship's captain, believing that his wife has cheated on him, takes their young son and leaves her. he comes back 20 years later. His wife stows away on his ship when he leaves, hoping to see her son, who is aboard. She takes along with her Mary, the daughter of a woman the captain once loved. Complications ensue.

Informed by her doctor that she is going blind, Carol Trent tearfully breaks off her engagement with Don Manning, hoping to spare him the stigma of a sightless bride. When Hughes catches up with her and demands an explanation, Astor pretends to have fallen out of love with him and further convinces him that she has turned into a shameless hussy.

During a quarrel at a Scottish inn, Captain Gordon wounds another officer and flees to New York with detective Jenks on his trail. Once there, he meets Marjory Seaton, an heiress whom her Uncle Tidmarsh is trying to marry to the profligate Winslow, but she is interested in fashionable sportsman Sylvester. One night at a ball, Gordon spies Jenks following him and, in the course of his escape, accepts refuge from a fight promoter named Brooks. At Brooks' request, Gordon substitutes for Sylvester's opponent, burglar Deacon, at a charity bout, and knocks out the real pugilist. Later, during a dinner party at the Tidmarshes', Gordon is mistaken for a lord and, when the real nobleman appears, is denounced as an impostor. A lost film.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

Jerry Marsden, the son of a wealthy man, finds himself in a series of comedic misunderstandings. To prove a point or escape a social obligation, Jerry decides to take the place of his butler, who has been sentenced to a short stay in jail. While incarcerated, Jerry finds the experience surprisingly pleasant, as he receives special treatment and even manages to flirt with the jailer's daughter, Ruth Morrisey (Alice Day). Chaos ensues when his true identity is threatened and he must navigate the complexities of high society while technically being a "prisoner."

With the help of Red Barton (Wade Boteler), Phil (Jack Holt) makes a spectacular escape from jail. He obtains a parson's outfit from a pawnshop and shortly thereafter winds up in a barroom brawl. One of the other brawlers is Chuckwalla Bill (J.P. Lockney), the newly elected mayor of the town of Panamint.

Released on July 3, 1927

After the suppression of "Let There Be Light" (a documentary about combat-induced post-traumatic stress disorders which presented many inconvenient and demoralizing truths), the U.S. Army Signal Corp created this dramatized up-beat remake of the film. Only this time, the production excluded the involvement of John Houston, the producer of the original documentary.

Virginia Craig will become super-wealthy and gain sole control of her factory, unless insubordinate schemers can trick her into marrying one of their clique. Unfortunately for them, she loves Monty, one of her employees. When the schemers' plot is discovered, a chase starts away from the factory and onto a runaway train.

Double or Nothing is a 1936 American short musical comedy film directed by Joseph Henabery. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Two-Reel). Preserved by the Academy Film Archive in partnership with Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division in 2013.

A rich Easterner who has always wanted to live in "the Wild West" plans to move to a Western town. Unknown to him, the town's "wild" days are long gone and it is an orderly and civilized place now. The townsmen, not wanting to lose a rich potential resident, contrive to make over the town to suit the young man's fantasy.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.