Uma Encrenca no Olimpo

The life at the Military Academy of Agulhas Negras, with a cadet living remarkable moments during school times.

A horse tamer is the father of a beautiful girl who is coveted by his neighbor, a rich farmer. The farmer seduces and kidnaps the poor girl. The man, desperate, goes after him. In the end, when he tries to hit the man, he ends up hitting his beloved daughter. Not knowing what to do, he starts a fire in the farmer's forest, but when he sees that the fire is taking over his property, he decides to hang himself.

Made in 1926, but only shown in 1932. It starred amateur actors, breaking box office records with consecutive showings for several weeks.

Three couples, two already living in Rio; and the third, with 'the one who hates carnival', coming to visit an aunt. One of the women bets that all husbands are unfaithful. They send invitations to their husbands to the carnival ball. They find a pretext to be able to attend. They, in turn, go in disguise, just like the maid. Hence the confusion at the ball, each one dating the other's wife.

Seeing a black knight, the young man Álvaro runs after him. During the race, the knight falls and he discovers that it is a girl. The two end up falling in love.

Lost film. Mack Sennet-style comedy, with bathing girls.

A man is looking for a radio singer named "Dulcineia." For this, he goes through the biggest hassles and problems. The plot, in fact, is an excuse for the exhibition of the musical numbers of the greatest Brazilian Radio artists.

Lost film. Based on the novel of the same name by writer José de Alencar.

A 1923 Brazilian silent comedy film directed by Luiz de Barros, now considered a Lost Film. Augusto Aníbal Quer Casar is recognized as the first portrayal of an LGBT character in Brazilian cinema history.

A girl sings very well, but no one believes her; a country hillbilly in love with her pays a cabaret owner to let her sing. She is a success, but the country hillbilly has to settle for being just her friend.

Zé Babão is a hillbilly who does not care about working, leads the good life of the interior and is in love with Conchita. One day, an Italian appears interested in all the banana trees of Zé Babão and, for this, decides to marry Conchita.

Álvaro Ramos, an incorrigible bohemian, thrown out of the boarding house where he lived for lack of payment, finds fifty thousand réis on the street. He buys a lottery ticket number 013 and wins a big prize.