Second Class Citizens

A young piano tuner befriends two rich old-ladies, and plots, with the help of his girlfriend, to betray their trust and steal from them.

A single mother is confused by the changes in her teenage son, who has become distant since spending summer vacation with his father.

A man goes to see his former schoolmate working at a boiler house and persuades him to burn in the furnace the corpse of his communal flat neighbor whom he has just murdered after a quarrel. An orphaned girl gets a job in the archives of the maternity home to find out the identity of her mother who abandoned her years earlier. She finds her, befriends her and takes the first opportunity to throw her into the sea. An old intellectual tries to explain to the neighbor’s five-year-old daughter “all the abomination of her lumpen existence”. The girl feeling hurt for her mother decides to poison the old man with arsenic.

Based on the events that took place in Odessa in 1910, when, on the instructions of the Foreign Bureau of the RSDLP, a prominent Bolshevik underground worker arrived in the city under the guise of a French timber merchant, who was to organize the delivery of illegal literature to Russia through the Odessa port. The task can be completed. In Odessa, a variety show theater was created, which, having gained fame, toured Russia and received "theater props" from France...

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

Country girl Nadia moves to the city and becomes a maid in Valya's apartment. Valya, who is a member of the local District Committee, does not know that Nadia fell in love with her currently absent husband, a geologist named Maksim, when he had visited Nadia's village during a recent expedition.

In the old days it was called hypochrondria, or black melancholia. Now, apparently, it's termed the Asthenic Syndrome. Whatever it is, Nikolai, a teacher of epicly indifferent pupils, has got it, and it's not much fun.

On a rough and tumble construction site for a new factory, the conversation flows and love blooms for trio Lyuba, Misha, and Kolya. In the liminal space of their workplace, they build material and intangible connections.

A woman is paid a surprise visit by her long-forgotten classmate, who needs her advice: should he choose a wife or a lover? An outrageously burlesque mise-en-scène is repeated many times but each time in a different place and performed by new actors. Why?

The film is set during the last summer before the Great Patriotic War. Three sisters are coming to stay with their grandmother in the village. They imagine the world as a vast and charming "Garden of desires" and all members of the household are waiting for Asya's birthday. Asya has a sense of foreboding regarding the impending grief. Guests come to visit but none of them are her parents. She still does not know that her father was declared an enemy of the people, that tomorrow she will not see her mother and that the war is approaching.

Two young orphan siblings travel to Moscow in search of their missing father. Scared of being separated and sent to orphanages, they hope to reunite with the last link of their shattered family.

Makar has spent years overseeing work at a collective farm. After he is asked to retire, it is time for Makar's son to take the reins. Yet the farm workers' hopes are soon dashed, and it is up to Makar to right the ship.

A lawyer defends a wealthy woman accused of murder. She claims it was self-defense. The lawyer is not sure.

The film is based on A. P. Chekhov’s play “Tatiana Repina” and short story “Difficult People”. At his wedding, the groom is horrified to see among the church crowd his former mistress who had recently committed suicide.

A judge is devastated after the death of his wife and is neglectful of his children. His son befriends the children of a street beggar who live in an abandoned, derelict church. After his experience with his new friends, the young boy begins to feel sorry for his father and sympathizes with his loneliness.

In this affectionate, leisurely paced comedy, an Odesa policeman is out walking his beat when he discovers an adorable infant abandoned in a cabbage patch. He does his duty and takes the baby to an orphanage, but later he and his wife, who have an unusually affectionate and cozy relationship, decide to try and adopt the little one. What they must go through to accomplish that goal is anything but straightforward.