Alexandr Bokovikov

The picture tells about Angela - a talented cellist. Having escaped from her problems from Italy to Russia, she does not find peace here either. Boredom and misunderstanding of others torment her, and the inner fire of contradictions tears to pieces. She has a difficult relationship with her father, she wants to return his love and attention. They are loved and recognized in their small orchestra, however, no one supports and does not understand her impulses to bring something new, to overcome a boring routine and finally change the world of music. It’s getting harder every day to achieve Angela’s inner harmony, or as Angie calls her. The world is full of cruelty, contention and misunderstanding, and finding a place in it for a bright and kind person who cannot feel lies and betrayal with his warm heart is very difficult, almost impossible.

Andrey's stepbrother Sasha dies, with whom he was destined to meet only once. With a heavy heart, Andrei goes to a funeral and finds himself in an ominous atmosphere of a complete stranger and, in general, a family alien to him. Trying to figure out the strange circumstances of his brother’s death, Andrey re-experiences the events of a seemingly long forgotten and painful past, because it seems that only it can tell where the truth is and what really happened to Sasha - an accident or suicide?

A young piano tuner befriends two rich old-ladies, and plots, with the help of his girlfriend, to betray their trust and steal from them.

The movie examines the lives of the not-so-fortunate dregs of society through absurdist comedy. The unfortunates of the title are mentally challenged people, some of whom could be termed insane - or merely inane.

Our three hapless heroes - Igor, Artyom, and Sauna - return for the third lesson from St. Valentine. This time they must learn the true value of fatherhood, but this time the kids are grown up...

In this affectionate, leisurely paced comedy, an Odesa policeman is out walking his beat when he discovers an adorable infant abandoned in a cabbage patch. He does his duty and takes the baby to an orphanage, but later he and his wife, who have an unusually affectionate and cozy relationship, decide to try and adopt the little one. What they must go through to accomplish that goal is anything but straightforward.

The thirties, the heyday of Soviet film production. The story of the famed couple's glory — a filmmaker and actress, behind the external well-being of which were hidden strange contradictory relationships and a sense of fear that they carried through their whole lives. The prologue to this story is the 85th anniversary of Lidiya Polyakova, the formerly brightest star in Soviet cinema, who played the main role in all the films of her own husband, director Konstantin Dalmatov. Now in the courtyard there are other times, Dalmatov’s movies are called ideological agitation, and the director himself and his wife are hiding from the world in the country, trying not to let anyone in.