قبلني يا أبي

Ismail divorces his wife Amal, leaving her alone to face life's hardships with her daughter Salwa. Fate brings her together with Dr. Asim, who treats her daughter and discovers Amal's exceptional talent for singing. He helps her find a job where she can use her artistic talent, but the problem is that her ex-husband is still pursuing her and does not want to leave her alone.

Om Koultoum stars in this musical-drama as Fatmah, Nurse to a Pasha who falls in love with his younger brother and marries him in secret. But soon their relationship deteriorates and her husband refuses to recognize the child she expects from him.

When a musician's family faces financial difficulty, the daughter starts working as a singer in a nightclub owned by her mother's lover. When she learns about her mother's affair, the girl claims that she's in a relationship with the nightclub's owner in order to save her mother's reputation.

After completing his studies in Europe, Wahid returns again to his hometown, when his father asks him to go to Cairo so that he can take his job in one of the companies. There he meets the beautiful Nadia, who is in love with an old man in a piano sales and repair shop and thinks that the old man is her father, and tries to To pursue her and win her heart without knowing the truth of the matter.

Tawfik is in the midst of a financial crisis when his relative dies. As the sole heir, he sells her furniture to pay off his debts, only to discover that she left him a precious jewel inside a piece of furniture. As he tries to retrieve it, a gang goes after the jewel as well.

Waheed, the young composer, struggles with his sister, the singer Nadia, to make a living. They find work in one of the nightclubs, but the manager expels them because Nadia refuses to sit with the patrons. They suffer from torment and homelessness. Nadia falls in love with the wealthy Mohi, who agrees to marry her, but his mother opposes. As for Waheed, He also loves a rich girl and agrees with her brother to marry her. Mohi marries Nadia without caring about his mother, and Waheed succeeds in presenting the operetta he dreamed of directing.

A middle-class family. The son gets a law degree and wants his son to be a lawyer, but the son wants to be a novelist. The son is surrounded by bad friends, so he is led by them into a life of debauchery and slips into the abyss, betrays trust, misappropriates his father's money, and steals his mother's jewelry to satisfy his mistress's demands, which leads to his mother's death.

Fathia travels to Lebanon to spend a period of convalescence, leaving her husband Sami behind. Fathia meets an Egyptian young man in Lebanon at the same time that her husband Sami falls in love with the playful Souad and spends time with her. News reaches Fathia that her husband is cheating on her, so she becomes angry and finds no way to respond to the betrayal except with betrayal.

Officer Emad says goodbye to his sweetheart Nadia as he goes to fight in the Palestine war. As the army suffers from a crippling defeat and rumors of bad weapons abound, Emad asks Nadia to search her father's papers for proof, since her father is one of the men who were involved in the weapon deals.

The work begins with a student objecting to the political situation in 1919, which reminds the teacher of the same position, but his hero at that time was the national leader (Mustafa Kamel), who spent his whole life defending the homeland from his trip to France to study law, and the formation of the National Party, which was a platform for presenting His homeland issue.

Munir, a singer and telegraph employee, tries to realize his dreams as an artist and falls in love with dancer Nadia.

The film is an Egyptian adaptation of a play by Marcel Pagnol, transposed into an Egyptian and Arab context. It follows the story of a shy, naive professor who allows himself to be exploited by an aristocrat or influential figures—depending on the interpretation—in a gambling scheme or a con. As the plot unfolds, the professor undergoes a moral transformation, coming to accept and eventually adopt behaviors that were initially alien to his nature. The narrative explores two central themes: the temptation of corruption and the clash of cultural codes—specifically between Western culture and the Arab/Cairene society depicted in the film.

Laila is an abandoned girl who was raised in an orphanage. She works as a nurse, but her colleagues plot to expel her from the hospital. She meets a wealthy young man who wants to marry her, but his father refuses after he learns her secret. She tries to find her real parents.

Before his death, Mansour Pasha writes over his wealth to his two sons Omar and Othman; as the latter drowns, his wife gets a boy and claims he is Othman's son to ensure her share in the inheritance. When the boy grows older, he befriends Rashad, Omar's son, and gates of hell and vengeance open.

A concubine to a ruling family is challenged when the family is overthrown.

The twins (Nadia and Mona) live in peace in Cairo with their father, a university professor, and their French mother. While Nadia is shy, Mona is bold and free. Nadia is exposed to a fire accident, and the father dies, so the family is forced to travel to France, where Mona also dies, but after... Nadia writes to Dr. Medhat with a picture of Mona, and he is about to come to France to see her, so Nadia falls into trouble for fear of discovering her true nature.