Nour El Hoda

Princess Nour Al-Doha, Princess of the Sultanate of Java, is a guest at one of the grand hotels in Egypt. One day, Hamida, the fruit merchant, flees to this hotel and meets the princess there, who resembles her to the point of being identical. The princess asks Hamida to replace her on official visits, and events escalate.

Hoda, a student, lives in Port Said with her widowed father, Fathy Al-Mahdawi, the owner of a supply and export company. Naima, an employee in the company, tricks Fathy until he falls in love with her and marries her. Hoda objects because of the difference in class. The stepmother treats her stepdaughter badly, which prompts her to travel to her aunt in Alexandria and join the university there, where she meets the sea captain Shukry, the brother of Samira, her colleague at the college.

Samir became one of the most famous composers and authors of music, trying to present his best melodies to the band he loved and worked in with the actress Attiyat, with whom he was associated. However, her betrayal of him prompted him to abandon his work and life and decide to commit suicide. When he met one of the girls whose sweet voice he admired, but he thought she was in a relationship. With one of the young men.

When Arna'out Pasha learns that his son is married to a dancer in secret and that they have a child, he threatens to cut his son off. The son sends his family to Lebanon but as war breaks out, he loses contact with them.

A woman is falsely imprisoned for killing a man, she escapes and travels to Lebanon after changing her name, until she is arrested there and imprisoned for the second time, whereupon a professor of forensic psychology attempts to unmask the real criminal who killed that man .

Tango of Yearning (1998) is the first episode of an autobiographical trilogy on postwar Lebanon, later including Nightfall (2000) and Civil War (2002). Taking its title from Tango of Hope, a classic ballad by Nur al-Huda, the film draws from the director’s reflections on war, love, and cinema, as well as his personal experience at the public television channel TéléLiban. Conjuring various snippets of audiovisual archival material, the film is a poetic elegy to film, Beirut’s movie theaters, and a city undergoing radical transformation. Mohamed Soueid has long been a proponent of the experimental video documentary movement in Lebanon, playing a significant role in the country’s creative renaissance since the end of the civil war. Originally trained as a news videographer during the war, the experience offered him a facility with the medium, which he further developed by making non-linear documentary films with a distinctly personal take.

After the death of the girl's father, Berlanti, her means of life become more limited and her mother falls ill, so Berlanti is forced to work as a singer so that she can be treated. The lawyer Sami marries her, and as events unfold, Berlanti sees that she is standing in the way of Sami's success. She sacrifices her reputation so that he can leave her. He believes this and expels her. He marries the girl, Samiha, and as events develop, Berlanti is accused of murder.

Lawyer Raouf meets Yasriya Hanem, the daughter of Hassan Bey Abu El-Dahab, and falls in love with her and tries to reach her. Raouf bets with his friend that Raouf will marry Yasriya. A quarrel occurs that ends with the friend's lover shooting Raouf. The sound of the bullets restores his cousin's sight and she nurses him. Raouf marries her after he is certain that his love for her is stronger than his love for Yasriya.