Tide

Loving Krishna is about the worship of Krishna and the meaning of devotion. It explores the rural and urban character of the town of Vishnapur in West Bengal by examining the royal past, everyday life, work in traditional arts and crafts, bazaar exchange, and sacred rituals and festivals. Public and private devotional life is represented by detailed visual narratives of the Chariot Journey of Krishna, celebrated by the whole town, and the Birthday Festival commemorated on a much smaller scale of intimate family worship.

In 1980, Jack Shae and Allen Moore, two ethnographic filmmakers from Harvard University, moved their families to the island of Berneray in the Outer Hebrides. Over the course of 18 months they documented the everyday lives and struggles of the crofters they lived among, whom were even then a vanishing breed. The film is in English and Gaelic. This carefully observed documentary by filmmakers Jack Shae and Allen Moore is a poetic ethnographic film in the style of their mentor, Robert Gardner (“Dead Birds”). It follows the rhythm of life on a wind-swept island in the Outer Hebrides through the four seasons and in the filmmakers’ observation of the day-to-day struggles of a vanishing society we see the deep-time legacy of their kind. The film is in English and Gaelic.

An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.

An ethnographic documentary documenting the ritual warfare cycle, social life, and belief systems of the Dani people of the Baliem Valley in western New Guinea.

Portrays the Nuer, Nilotic herdsmen of the Nile basin. Shows how their daily lives revolve about their cattle, and depicts the psychological bonds between them. Includes extensive use of Nuer music and poetry.

Exploration of the way of life of the Q’eros Indians of Peru, who have lived in the Andes for more than 3,000 years.

“In the middle of the twentieth century, Blunden Harbour was a small village on the coast of Vancouver Island in British Colombia inhabited by a handful of impoverished Kwakiutl Indians who gained their meagre livelihood from fishing and gathering...It is a beginner's attempt to impart the rhythm and atmostphere of a place and a people.” - Robert Gardner

Constructed from the audio archive of the 1961 Harvard Peabody Expedition to Netherlands New Guinea: In the encounter with the Hubula people, this work reflects a parallaxing image of the histories of field recording, ethnographic film, and colonialism.

While active in the programming of ABC affiliate Channel 5 in Boston, Gardner was permitted to make a few short one-minute vignettes illustrating the working lives of relatively ordinary people. These vignettes were meant to be used by the TV station as ‘non commercials’ or unexpected looks at ordinary lives.

The coastal Danakil in Northeastern Ethiopia have found an environmentally suitable way of life netting sharks far out to sea which they export to the south Arabian states.

Kwakiutl, Kwakwaka'Wakw, potlatches. British Columbia tribe as a civilization in decline as assimilation has almost obliterated native culture. Fort Rupert, Britsh Columbia Canada

Early in the seventies I was involved in the programming of an ABC affiliate TV station in Boston (Channel 5). I was given the opportunity to make what I called "non commercials" to be shown between programs just like a conventional advertisement but consisting instead of a 60 second look at a commonplace social activity. Policeman was one of several such "non commercials" that aired on this station to many peoples' astonishment.

Started as a class project in what was likely the first filmmaking course ever taught at Harvard, Marathon documents the running of the 1964 Boston Marathon.

I went to Ladakh in the vain search for a shaman. What I found was a species of Buddhist healing that involved trance and a variety of magical tricks of the healing trade.

Serpent Mother is about devotion to the Goddess of Snakes and the importance of divine female power in West Bengal Indian life. The film's focus is the Jhapan Festival, the great celebration of snakes. Shown are festival preparations, the role of traditional arts and crafts in the worship of the Goddess, devotional singing, and an exposition of ritual action. The difficult and complex symbolism of the ritual is explained by the participants themselves. In addition to the commentary, this makes accessible what is, at first glance, exotic and inexplicable behavior.

Short film photographed by Robert Gardner