Kiheitai 2

In this fifth episode of the "Wataridori" series, Taki Shinji (Kobayashi Akira) drifts north to Hokkaido, where he helps protect an Ainu village from unscrupulous land developers.

The Kanto Brothers' Code of Honor (関東兄弟仁義 仁侠) is a 1971 film directed by Buichi Saitō. It is the ninth and last film in the Duty of Brotherhood series.

Follows the struggles of a yakuza wife after his husband gets hurt in a knife fight.

Ogami Itto is a master swordsman who holds a position of high power in the Tokugawa Shogunate. Highly trusted by the Shogun, he serves as the official decapitator, assisting lords and samurai who have been ordered by the Shogun to commit seppuku. One day, Itto’s wife and members of his household are brutally murdered by a clan seeking to avenge their lord’s execution, which had been carried out by Itto. In the wake of the attack, two items are left in Itto’s home: his unhurt infant son, Daigoro, and a symbol meant to signify Itto’s betrayal of the Shogun. Disgraced by the false symbol, Itto is labeled a traitor and forced to forfeit his position. He becomes a ronin, wandering the country with his son, searching for the men who killed his wife, seeking to clear his name and avenge her death.

Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.

The love and friendship adventures of seven internship medical students.

The final chapter of the Hibotan Bakuto series. Oryu the Red Peony visits an old dying Boss of an ally family and promised her that she would help guide the new Boss. Meanwhile a turf war breaks out. When the family is betrayed from within and the rival family becomes violent, Oryu takes things into her own hands…

Ogami Itto is hired to kill a tattooed female assassin and battles Retsudo, head of the Yagyu clan, and his son Gunbei.

A young girl knows that she is going to die and in this she is supported by the devotion of the boy who loves her. They originally met at the hospital. There it transpired that the only way to save her life was to sacrifice an eye and part of her face. The operation seems a success. Later, however, her other eye becomes affected. She feels she must let the boy go, and yet she depends so much upon his devotion.

Arriving in the town of Hakodate, a wandering musician, Shinji Taki, is soon recruited by the local gang as a hired hand. However, with the arrival of a sinister gunman, Taki's mysterious past catches up with him.

Attacking Asao Uchida's lonely, clifftop mansion in no-holds barred massacre.

1970 Toei movie.

As the Killer Priest Shinkai travels around Japan during the Meiji era, he comes to the aid of a village headman fighting corruption from up above. Before he can do anything for the townspeople, he must first face his nemesis, Whipmaster, the blind Priest, a master killer thirsting for revenge.

This series of interviews with the filmmakers who worked on the 6 Baby Cart movies tells the stories behind the story, as they recount what led up to, and how they created the greatest film series in movie history. From the first interview with original author Koike Kazuo through the behind the scenes journey told by half a dozen noted staff members this specially produced DVD is essential viewing for anyone with an interest in samurai movies at their zenith. Starting with the first meeting that original manga author Koike Kazuo had with Wakayama Tomisaburo and never letting up as other notables including director Saito Buichi, producer Sanada Masanori, stunt choreographer Shishido Daizen, cinematographer Morita Fujio, sound recordist Hayashi Tsuchitaro, screenwriter Nakamura Tsutomu, and the real life son of Lone Wolf, Wakayama Kiichiro share their wealth of knowledge.

It had been a year and four months since Mitsuo was last on a movie set. Welcomed back by director Ishizaki and his film crew, Mitsuo is excited to star as the lead in "My Sweetheart". One day, half way through production, he meets his friends from a popular rock group, "The Spiders". Through their discussion regarding the climax scene, they criticize that the script is too grim. In a notion to protect their friend's career, they decide to pay the scriptwriter a little visit.