Joe Zawinuls Erdzeit

Two residents of Vienna, both in their mid 30s, have successful careers, they are happily single and want to remain so. When Mina breaks through the roof of Jakob's apartment, havoc is the result.

Documentary portrait of the actress Romy Schneider, in which director Frederick Baker tries to form an overall picture from the facets of image, myth, real life and screen persona.

During the Napoleonic Wars at the beginning of the 19th century, Andreas Hofer became a Tyrolean folk hero. As the head of a resistance movement, he became caught up in a dangerous political game of interests between the French and Austrians, Napoleon and the Habsburgs. After the defeat at Austerlitz, the Habsburgs had to cede Tyrol to the Bavarian kings in 1805. The liberal Bavarians implemented numerous reforms in Tyrol, including religious reforms, which met with resistance from the rural population. The young Archduke Johann wanted to take advantage of their discontent. In Andreas Hofer, the commander-in-chief of the Tyrolean troops, the brother of Emperor Franz I finds a loyal patriot whom he can use for his political moves. The Tyrolean revolt against the French and Bavarians puts Napoleon in a tight spot. In several battles, the rebels succeed in defeating the Bavarian and French troops, but not in defeating them for good.

Nana Iaschwili, a teacher from East Europe, wants to emigrate to America to start a new life. After landing in Vienna, the authorities notice her falsified visa and arrest her. Nana, threatened with deportation, would prefer anything except being sent back and escapes. She must keep on the move constantly. The police are hot on her trail. Together with other illegal aliens, Nana, alias "Suzie Washington", flees to the so-called "green border", the no-man's-land between East and West. The police, cows and lonely men keep getting in her way.

This historical and analytical documentary draws attention to the background of the roots of "New Austrian Cinema" and presents Austria as a film country to be taken seriously. The audience gets to see rare early works by well-known filmmakers as well as shots of landscapes that served as a source of inspiration and locations that have produced important Austrian films since the end of the 19th century.

Bele is 16 and has big hands and feet. Nothing's right: neither her coat, her first love, nor the first video she shoots with friends. And Agnes, her wonderful mom, isn't right either. Agnes is the opposite of Bele: She is pretty, successful, perfect. She gets the good things that life has to offer, such as a fulfilling job and a new lover. If only it weren't for her daughter Bele, who mercilessly expresses her needs as only a 16-year-old "bad girl" can.