Romy Schneider: A Woman in Three Notes

This British documentary is more than an analysis of John Lennon's song "Imagine" and its ramifications for the world we live in, it's a tentative documentary on John (and Yoko)'s art and songs' influence on a lot of people in all parts of the world and from all walks of life. As such, it should be better known and considered part of the Beatles "canon". The footage shows everything from a John Lennon Museum in Japan to a John Lennon elementary school in Liverpool to his influence on the thinking of a former Communist from Georgia (of the former USSR). It is provocative and very well made with a serious contribution from Yoko.

Shot on location in Georgia and Russia, this documentary examines how the bloodiest dictator in world history commanded the allegiance and adulation of the Soviet Union during his lifetime and how his influence lives on beyond the grave. It employs a wealth of archive material, eyewitness accounts, reconstructions in original locations, and myriad examples of Stalin's artistic legacy, in its scrutiny of the dictator's career and his cult, past and present.

Documentary about the production of The Third Man (1949).

The big opportunity has come for amateur filmmaker Pospiech: The local bank director has announced a film competition. Pospiech wants to win with a portrait of Hitler the private man - and show it to his rival. Nagy, director of an amateur film club and failed real estate agent, claims to be the greatest film connoisseur in town, just like Pospiech. The battle for the crown can begin.

This historical and analytical documentary draws attention to the background of the roots of "New Austrian Cinema" and presents Austria as a film country to be taken seriously. The audience gets to see rare early works by well-known filmmakers as well as shots of landscapes that served as a source of inspiration and locations that have produced important Austrian films since the end of the 19th century.

This film is an essay about the struggle to define the borders of democracy in Austria between the rise to power of the far right wing leader Jörg Haider in 2000, and the situation today. The film aesthetic of the anti-Haider activists contrasts to today's official news footage. This gives emphasis to the multilayered clash of different political visions that occurred throughout the decade. In this sense the archive footage does not just transport information about the events it depicts, but though the contrasting materiality encapsulates the tensions between its many creators.