Alucinación arquitectónica

The geometry of circles and ellipses is explored using the Roman Colosseum as an example. Using the Pantheon as another practical example, this program explores the concepts of central and intercepted angles, arc segments and chords. The Etude du Cinéma de l’Ecole de Barcelona (a short-lived group that appeared in Spain in the 1960s) offers the opportunity to consider the distrust of the avant-gardes with regard to narrative. The lacunar narration whose principle the School of Barcelona adopts goes against the traditional narrative and its quest for coherence and continuity. She invites the viewer to make the disconcerting experience of unbinding and emptiness. Such an approach involves an ethical posture. The Barcelona School follows in the footsteps of a modernity that intends to move away from an alienating authoritarian discourse and claims to make the spectator a partner in creation.

A mental patient in a psychiatric hospital is escorted into an operating room, where electrodes are attached to her scalp. The doctors dissect his brain and we enter the brain with a loud, jarring cry. In this space detached from reality, a group of actors perform elaborate interpretive dances. They jump, land on top of each other, place their hands on their bodies and form various shapes.

While waiting to get started on the production of his feature Liberxina 90 (1970), Carlos Duran shot this short (with very expressive support by several Escuela de Barcelona professors): a grimly colourful satire on modern society as such, and on its fascist Spanish variety in particular. "The intrusion into the private life of a human being, of the distinct tendencies that exist in the society we live in, until they fall into chaos." Carlos Durán

Antonio, a young man with a modest job in a small town, leads a monotonous existence until he is transferred to Barcelona to work in an architecture studio. From that moment, a new life opens before his eyes. He befriends Lorenzo, one of his classmates. Lorenzo is more experienced than Antonio and shows him a new, more sophisticated life in which Antonio feels out of place. Also, Antonio falls in love with Lorenzo's sister.

Paco and Lisa flee to Barcelona in a stolen car with the intention of building a future in show business. After unsuccessfully looking for work, the two youngsters will be immersed in crime and prostitution.

Tusquets frames this unpublished film in a decisive cultural moment: years before the dictator's death, when "suguing things began to happen." Image of the city is a creation made together with Bofill to be presented at the Tarragona Architecture Congress (May 1967). During filming on the streets of Barcelona, Ricardo was filming in Super-8 while Oscar was driving a convertible. The interiors, recorded in the studio of photographer Oriol Maspons, show Serena and Beatriz dancing. It is a modest but casual walk in which the sinuous shapes of the facades of the Barcelona of Cerdà are presented in relation to the female body. A dialogue is established between the modernist tradition, the symbols of pop culture and the powerful visual language of the Archigram group.