Ricardo Bofill

Acting

Ricardo Bofill

Born December 5, 1939 · Barcelona, Barcelona, Catalonia, Spain

Died January 14, 2022 · aged 82

Ricardo Bofill Leví was a Spanish architect born December 5, 1939 in Barcelona and died January 14, 2022 in Barcelona. He is particularly known in France for the creation of the Abraxas spaces in Noisy-le-Grand and the Antigone district in Montpellier. His main influences are the architects Palladio, Mansart and Ledoux. Ricardo Bofill is the son of the Catalan Emilio Bofill y Benessat, architect,…

Known For

Brillante PorvenirBrillante Porvenir · 1965
Brillante Porvenir
6.21965
MovieDrama
Antonio, a young man with a modest job in a small town, leads a monotonous existence until he is transferred to Barcelona to work in an architecture studio. From that moment, a new life opens before his eyes. He befriends Lorenzo, one of his classmates. Lorenzo is more experienced than Antonio and shows him a new, more sophisticated life in which Antonio feels out of place. Also, Antonio falls in love with Lorenzo's sister.
CirclesCircles · 1966
Circles
8.51966
MovieDocumentary
The geometry of circles and ellipses is explored using the Roman Colosseum as an example. Using the Pantheon as another practical example, this program explores the concepts of central and intercepted angles, arc segments and chords. The Etude du Cinéma de l’Ecole de Barcelona (a short-lived group that appeared in Spain in the 1960s) offers the opportunity to consider the distrust of the avant-gardes with regard to narrative. The lacunar narration whose principle the School of Barcelona adopts goes against the traditional narrative and its quest for coherence and continuity. She invites the viewer to make the disconcerting experience of unbinding and emptiness. Such an approach involves an ethical posture. The Barcelona School follows in the footsteps of a modernity that intends to move away from an alienating authoritarian discourse and claims to make the spectator a partner in creation.
Alucinación arquitectónicaAlucinación arquitectónica · 2025
Alucinación arquitectónica
2025
Movie
Architectural hallucination is a tour of the spectacular shapes of the first buildings designed by the Architecture Workshop. Serena's interpretation and the ideas of the voice-over explore the close relationship that exists between an architectural space and its inhabitant.
EsquizoEsquizo · 1970
Esquizo
7.81970
MovieDrama
A mental patient in a psychiatric hospital is escorted into an operating room, where electrodes are attached to her scalp. The doctors dissect his brain and we enter the brain with a loud, jarring cry. In this space detached from reality, a group of actors perform elaborate interpretive dances. They jump, land on top of each other, place their hands on their bodies and form various shapes.
Imagen de la ciudadImagen de la ciudad · 2025
Imagen de la ciudad
2025
Movie
Tusquets frames this unpublished film in a decisive cultural moment: years before the dictator's death, when "suguing things began to happen." Image of the city is a creation made together with Bofill to be presented at the Tarragona Architecture Congress (May 1967). During filming on the streets of Barcelona, Ricardo was filming in Super-8 while Oscar was driving a convertible. The interiors, recorded in the studio of photographer Oriol Maspons, show Serena and Beatriz dancing. It is a modest but casual walk in which the sinuous shapes of the facades of the Barcelona of Cerdà are presented in relation to the female body. A dialogue is established between the modernist tradition, the symbols of pop culture and the powerful visual language of the Archigram group.
Tomorrow Is Another DayTomorrow Is Another Day · 1967
Tomorrow Is Another Day
4.71967
MovieComedy
Paco and Lisa flee to Barcelona in a stolen car with the intention of building a future in show business. After unsuccessfully looking for work, the two youngsters will be immersed in crime and prostitution.
BiBici StoryBiBici Story · 1969
BiBici Story
7.51969
MovieDrama
While waiting to get started on the production of his feature Liberxina 90 (1970), Carlos Duran shot this short (with very expressive support by several Escuela de Barcelona professors): a grimly colourful satire on modern society as such, and on its fascist Spanish variety in particular. "The intrusion into the private life of a human being, of the distinct tendencies that exist in the society we live in, until they fall into chaos." Carlos Durán

Filmography

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CirclesCircles · 1966
Circles
8.51966
MovieDocumentary
The geometry of circles and ellipses is explored using the Roman Colosseum as an example. Using the Pantheon as another practical example, this program explores the concepts of central and intercepted angles, arc segments and chords. The Etude du Cinéma de l’Ecole de Barcelona (a short-lived group that appeared in Spain in the 1960s) offers the opportunity to consider the distrust of the avant-gardes with regard to narrative. The lacunar narration whose principle the School of Barcelona adopts goes against the traditional narrative and its quest for coherence and continuity. She invites the viewer to make the disconcerting experience of unbinding and emptiness. Such an approach involves an ethical posture. The Barcelona School follows in the footsteps of a modernity that intends to move away from an alienating authoritarian discourse and claims to make the spectator a partner in creation.

Director

Imagen de la ciudadImagen de la ciudad · 2025
Imagen de la ciudad
2025
Movie
Tusquets frames this unpublished film in a decisive cultural moment: years before the dictator's death, when "suguing things began to happen." Image of the city is a creation made together with Bofill to be presented at the Tarragona Architecture Congress (May 1967). During filming on the streets of Barcelona, Ricardo was filming in Super-8 while Oscar was driving a convertible. The interiors, recorded in the studio of photographer Oriol Maspons, show Serena and Beatriz dancing. It is a modest but casual walk in which the sinuous shapes of the facades of the Barcelona of Cerdà are presented in relation to the female body. A dialogue is established between the modernist tradition, the symbols of pop culture and the powerful visual language of the Archigram group.

Director