Desvios Diários: Domingo

An audiovisual experiment showing female power in its various possibilities. It evolves through three narrative moments: the prologue, the central narrative, and the epilogue. The first materializes and at the same time rebels against the cultural construction of the "cult of the Phallus". In the second moment, we can see the formation of a network of protection and mutual help among women, exalting their bodies and their powers. And the last moment is practically a making off, with real scenes of all the women in the cast recording the video.

The daily life of a family in which countless factors are disturbing: the father is unemployed, the members need to move house, the mother is abducted, and life continues as if nothing had happened.

The Cambridge Squatter tells the story of refugees, recently arrived in Brazil who, together with a group of low-income workers, occupy an old abandoned building in downtown São Paulo. Daily dramas, comical situations and different views on the world commingle with the threat of impending eviction.

In this genre-hopping road movie from Daughters of Fire director Albertina Carri, Violeta, the director of an amateur lesbian porn hit, is invited to make a mainstream crossover. With a budget and cast, but no firm idea where to go, the crew head off on a road trip in search of their perfect film.

Andre and Elida are dating for a short time. In real life and in fiction.

At her only child's 9th birthday, Lucas, Estela, a telemarketing operator, plans a party that has minimal chances of success.

Marcelo, a 40-year-old dandy, has a memory like no other. Monologuing between coffee and gay hookups, he holds court on a wide range of topics: his status, his Catholic grandmother, and his unusual sexual fantasies. At times, he takes himself for Genghis Khan or poet-philosopher Novalis.

A tale about the apocalypse of the working class.

The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.

A young lesbian finds her grandmother's eccentric WW2 lover living beneath a swimming pool.

In the city of Cajamar, in the middle of ruined nature, lonely characters deal with the police, rodeos and mysterious fires.

A film in which dream and reality intertwine, A Moça do Calendário tells the story of inácio, 40, married, without a permanent job. Ex-street sweeper, he works as a mechanic at Barato da Pesada, where he dreams of the calendar girl.

Marcos hosts Robert in his house – and falls in love with him. When Michael Jackson dies, Marcos goes sick and Lígia, his sister, comes to help them.

The ghosts of a 19th-century slaughterhouse haunt the Cinemateca Brasileira: where cows once died, films now end up. Montevideo's former Central Market houses the Cinemateca Uruguaya. A power plant now houses the Museo de Cine de Buenos Aires. This triptych portrays and connects three film archives through architecture and the buildings' interaction with urban life.

In the depths of forgotten memories, a tormented spirit waits patiently.