The Bewitched House

An artist watches as musical instruments come to life and St. Cecile appears. Segundo de Chomón's as director is speculative.

A biopic of former Emperor of France, Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant 1797 invasion of Italy.

Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?

Helmed by Giovanni Pastrone, with Segundo de Chomón ably handling the stop-motion animation segment, The War and the Dream of Momi is equal parts patriotic pageantry and eye-popping puppetry.

The first scene presents before the astonished eyes of the spectators a solid piece of marble, which the minute it is placed on a table seems to take life, and one can follow a snake-like line branding on the polished face of the stone the name of the house of Pathé Frères. As soon as this stone has been engraved, as by magic, a handsome young lady appears with a huge lump of clay covered with a cloth. As soon as the cloth is removed from the soft mass it starts whirling and turning as if stricken mad, and one is asking one's self what all the contentions are going to lead to, when the vague shape of an animal not yet discernible seems to appear, and before one has time to make one's mind as to the category of brutes to which it belongs one sees the form of a remarkably well made orang-utan modelled out of the clay, who calmly smokes his pipe. Then the statue is removed by the same winning young lady and another covered block of the same substance is carried forward.

The devil takes Maciste down to hell in an attempt to corrupt and ruin his morality.

The devil performs his magical powers.

A magician charms a caterpillar and turns it into a butterfly woman. This film is a blatant remake of Georges Méliès's "La Chrysalide et le Papillon d'or" (1901).

A female magician presents several impressive metamorphoses, combining stop-motion animation and camera tricks.

The legend of Aladdin and his magic lamp: Aladdin finds a magic lamp which brings him wealth, luxury, and marriage to a princess. But his rival, an evil magician, steals the lamp for himself. Aladdin must regain the lamp or lose everything.

Rising from a stage are two vases which separate to reveal a female dancer behind each of the vases. They create magical circles of flowers from which other women emerge. The dancers construct an elegant floral display, in the middle of which a miniature dancer performs. Another circle of flowers is brought forward on the stage, toward the camera, and in the circle are shown a series of women. The original pair of dancers conclude by twirling their parasols.

In a bower of giant tulips a boy and girl practice flower magic. They cause flowers and birds to open and human forms to issue therefrom, and on the black background of the wonderful garden there appear myriad flowers, in the center of each of which is a smiling feminine head. Tableaux showing pretty girl and flower effects are plentiful and the film winds up with a burst of multi-colored flame, which shoots in fiery splendor from leaves and petals.

Segundo de Chomón's remake of Georges Méliès' A Trip to the Moon.

A frog hops around a magic fountain.

Many of the scenes of this split-reel short about a bizarre group of tramp musicians who disappear into and out of drums, beach umbrellas and whatnots were shot in the street and the others were on stages decorated to look realistic.

Early short showing the titular park in around 2 minutes.