RAMPAGE! (or the parade)

In a decaying cinema in the heart of Manila, Life discovers first love through films and their new friend’s father.

Two brothers' sporadic visits to their death-ridden mother becomes the long-lost road to their unending love for each other.

Competitive swimmer Bulet finds herself drowning on the day of a small town wedding.

Tin is a young woman who is able to see her mother’s ghost (Ima) since she was little. As she wakes up in their provincial mansion, alone, Tin realizes that it is the day of her Dad’s death anniversary. She gets a mysterious visit from her boyfriend Ollie, the same day her brother JD calls her to announce that he is moving her out of their house. Despite their disagreement, JD visits Tin, and Tin must make the choice to finally move out–away from the house that started her grief.

Torn between bailing out her boyfriend and reaffirming her body, a trans woman chooses the world.

In a small bar illuminated by neon lights and pulsing with loud music, a queer guy, his face etched with melancholy, is lured to the dance floor by a daring stranger. They dance freely while drinking and share a moment of fondling, charged with sexual desires. Overcome by the thrill, the queer guy feels dizzy as everything starts to slow and blur.

Brothers Omar and Jepoy wait for the next rain to pick mushrooms to sell, test the magic of a song Jepoy learned from school, and prove a legend Omar heard.

As hearsay turns into lore, lore into facts, and facts into uncertainty; Koleen, Rica and Kiko, set out to discover that the lines between lies and truth are not so blurry after all.

Two brothers hope to find the sea creature who killed their mother.

a film by Jill Go-Soco

It’s the last day of high school. Three misfits: Mike, Jeremy, and Marie are tasked to edit the graduation video. As they review the footage, their batchmate’s video contains a confession that their principal harassed her. The group has to decide whether or not to expose the issue as each deals with their own secrets.

A filmmaker roams around to film the lives of people during the longest day of the year.

A man seeks pleasure late at night along the barren spaces of the city

Mga Tala sa Kagandahan (Notes on Beauty) follows a filmmaking and theatre workshop for genderqueer kids (in swardspeak, baby bakla) in a Sitio in the City Antipolo, Rizal - a known pilgrimage site east of Manila. Its assertion: the right to our own representation, in front of and behind the camera. The footage, majority of which are shot by the kids, are a mixture of moments of learning and play times, that hopes to show the kids' view of the world in their first takes.

Two unacquainted daughters are forced to kill time together through demystifying pregnancy and watching an adult sitcom as they await their fathers’ return from a night of endless gambling.

Two trans-folx friends, together with their dog and plants, grieve for and with each other during a 14-day quarantine period.