Kukay Bautista Zinampan

Competitive swimmer Bulet finds herself drowning on the day of a small town wedding.

Two brothers' sporadic visits to their death-ridden mother becomes the long-lost road to their unending love for each other.

Tin is a young woman who is able to see her mother’s ghost (Ima) since she was little. As she wakes up in their provincial mansion, alone, Tin realizes that it is the day of her Dad’s death anniversary. She gets a mysterious visit from her boyfriend Ollie, the same day her brother JD calls her to announce that he is moving her out of their house. Despite their disagreement, JD visits Tin, and Tin must make the choice to finally move out–away from the house that started her grief.

Mga Tala sa Kagandahan (Notes on Beauty) follows a filmmaking and theatre workshop for genderqueer kids (in swardspeak, baby bakla) in a Sitio in the City Antipolo, Rizal - a known pilgrimage site east of Manila. Its assertion: the right to our own representation, in front of and behind the camera. The footage, majority of which are shot by the kids, are a mixture of moments of learning and play times, that hopes to show the kids' view of the world in their first takes.

It’s the last day of high school. Three misfits: Mike, Jeremy, and Marie are tasked to edit the graduation video. As they review the footage, their batchmate’s video contains a confession that their principal harassed her. The group has to decide whether or not to expose the issue as each deals with their own secrets.

In a decaying cinema in the heart of Manila, Life discovers first love through films and their new friend’s father.

Two brothers hope to find the sea creature who killed their mother.

A filmmaker roams around to film the lives of people during the longest day of the year.