Extramission: The Capture of Glowing Eyes

Intimate and fragmented moments unfold in a community of zoos and animal rescue centers across Argentina. As histories of these institutions are uncovered, dedicated workers commit both day and night to caring for the remaining enclosed animals, fostering a mutual bond that transcends imagined boundaries between human and animal.

Karl, a 70-year-old Austrian astronomer, is at a crossroads in life and work. After a conference in Greece, he decides not to return home and heads for a small island in hopes of finding a sky dark enough to reconnect with the stars.

Samsara is the Buddhist cycle of death and reincarnation. From the temples of Laos, we will accompany a soul in its transit from one body to another through the bardo.

Artist-filmmaker Jessica Sarah Rinland presents Black Pond, a film that explores the activity within a common land in the south of England. Previously occupied by the 17th century agrarian socialists The Diggers, the land is currently inhabited by a Natural History Society whose occupations include bat and moth trapping, mycology, tree measuring and botanical walks. After two years of filming on the land, the footage was shown to the members of the Society. Their memories and responses were recorded and subsequently used as part of the film’s narration. The film does not offer a comprehensive record of the history of humans within the area. Instead, it explores more intimately, human’s relationship with and within land and nature.

Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.

With an elephant’s tusk as the protagonist, the film meditates on the endless tactility of conservation.

Puerta a Puerta records the preparation of a shipment in the United States and its attendant unboxing in Venezuela.

Boys On Film comes of age with uplifting and powerful tales recounting the lives of everyday heroes striving for their own identities and fighting for the right for us all to be ourselves. Volume 18: Heroes includes ten complete films: Dean Loxton's "Dániel" starring Csémy Balázs, Hilda Péter, and Henry Garrett… Niels Bourgonje's "Buddy" starring Daniel Cornelissen and Tobias Nierop… Tamara Shogaolu's animated "Half A Life"… Victor Lindgren's "Undress Me" starring Jana Bringlöv Ekspong and Björn Elgerd… Sam Ashby's "The Colour Of His Hair" starring Sean Hart and Josh O'Connor… Hope Dickson Leach's "Silly Girl" starring Ciara Baxendale, Mollie Lambert, and Jason Barker… Søren Green's "An Evening" starring Jacob Ottensten and Ulrik Windfeldt-Schmidt… Alejandro Medina's documentary "AIDS: Doctors And Nurses Tell Their Stories"… Kai Stänicke's "It's Consuming Me" with Volkmar Leif Gilbert… and Mikael Bundsen's "Mother Knows Best" starring Alexander Gustavsson and Hanna Ullerstam.

An incomplete travel (and sound) chronicle; a place occupied by maps and globes; a recollection of memories instead of the repetition of an imprecise image. In the spaces that remain between these surfaces, Recording Rituals intends to meditate on the relationship between landscape and archive in the construction of imaginary communities and material memory.

The film uses natural history footage—human desire, spermatozoa, even cellular division—and sensual contemporary shots to dazzling effect. Is it mitosis or meiosis going on in there? Hard to tell, but either way, reproduction is a theme entirely at one with the band’s carnal sound.

An unidentifiable image appears and disappears. A voiceover accounts the invisibility of a hole in the middle of a road (poem by Jorge Bucay).

Santa Fe - notes, 2017 - 2019 is a story made up of fragments of landscapes, buildings, voices and objects. It is a film built on the relationship between art and the colony, memory and threat, native peoples and silence.

Adeline For Leaves explores nature, science and mythology through the eyes of an eleven-year-old botanical prodigy and her recently deceased, elderly mentor.

A response to Stan Brakhage’s The Act Of Seeing With Ones Own Eyes which creates a blunt statement on the human condition by depicting human autopsies. Necropsy of a Harbour Porpoise (Seeing From Our Eyes Into Theirs) examines the ever-enigmatic whale by revealing its interior, taking away its mystery and disparity, highlighting similarities between seemingly contrasting, expired organisms.

The whale forever exists, like utopia, as a parable, a myth, and a nightmare – caught between the wide open ocean and our two-dimensional confinement, between reality and imagination. We Account the Whale Immortal, an ever-changing film and a one off performance, explores the arrival of three mythic whales in the Thames, from the 17th to the 21st century, as evocative emblems of utopian intent.

80-year-old Saul has lived in London all his life. For the past 20 years he has spent his spare time climbing trees in Hampstead Heath.