Samsara

We feel a sublime experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted. It is the connection at the “full instant”, the idea of “durèe” of Henri Bergson, where the intensity of the experience makes the image of landscape expand.

An actress goes to Azores to take part in the theatrical tour of The Tempest and on her arrival she finds no one from the company, there is not even a theatre. After meeting Ariel, the actress discovers that the play has already started, the whole island is a theatre and its inhabitants are characters.

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

We feel a sublime experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted. It is the connection at the “full instant”, the idea of “durèe” of Henri Bergson, where the intensity of the experience makes the image of landscape expand.

"The evaporation or the centralization of the self. Everything is there." —Charles Baudelaire A sensorial approach to landscape In the deep contemplation of landscape the senses are altered. We feel a sublimation experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted, time flows in a different way: it stops in our consciousness. It is the connection at the "full instant," the idea of "durèe" of Henri Bergson, where the intensity of the experience makes the image of landscape expands.

Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.

An instant in the memory of landscape: the smuggling that for centuries crossed the line between Portugal and Galicia. The Gerês Mountains knows no borders, and rocks cross from one country to another with insolence. Smugglers also disobey this separation. The rocks, the river, the trees: silent witnesses that help them to hide. They just have to wait for the night to cross the distance that separates them.

Time seems to stand still in a village in the Galician coast. Everybody there is paralyzed although we can still hear their voices: they talk about ghosts, about witches, about monsters. Three women arrive in the village to find Rubio, a sailor who has recently disappeared in the sea.

The HADAL project, that includes SOL ROJO (Red Sun), is an immersion into the oceanic abyss.

Videoinstallation with methacrylate / no sound / 2018. Underwater Images recorded in Baja California Sur (México)

By Lois Patino

Distant lights reveal the outline of a city. Illuminated ships cross the water with sleeping people on board and the night appears to become liquid. The sower of stars wakes them and travels with them through the city. They talk about this and that – and say goodbye to everything.

Who is Sycorax? The first character in Shakespeare's "Tempest" to set foot on the island. The problem is that she has no voice. She is barely mentioned by Prospero as a crooked, old, wicked witch who vilely locked Ariel, the spirit of the air, in a tree. But why would she do that? Here, we wouldn't believe Prospero so much.

Active, interdisciplinary reflection on the heritage (material and immaterial) of washing houses (lavadoiros) as spaces linked to housework and to women-only social relationships.

Four filmmakers working in the region of Galicia (in the northwest of Spain) follow and portray on the screen Galician artists working in disciplines of different nature. The result is four pieces around the creative process of these artists. Lois Patiño film their parents working on their paintings in their studio in Vigo, Jaione Camborda films dancer Janet Novás rehearsing for one of her pieces, Xisela Franco follows film director Margarita Ledo revisiting the location of her latest film Nation and Alfonso Zarauza reflects on the relationship between actress-director by putting together the work of Melania Cruz in two of their collaborations.

A poetic meditation in seventeen syllables. Between the stillness of nature and the murmur of the city, sound becomes ambiguous, and water reflects more than just light. A brief but layered encounter with landscapes—both external and internal—where perception flickers like a haiku.