Una ombra en el jardí

A petty criminal becomes embroiled in an intrigue between a prostitute and a bank executive.

Marc and Eudald have been in a stable relationship for six years. Their life seems to run smoothly but even though together they make a good team, Eudald’s increasing impatience to cement their relationship is starting to get to to Marc, who finds himself caught in an emotional deadlock.

Mexico City. Every day, Beatriz is insulted and humiliated by her jealous husband, but she does not flee his side because they have created a codependency and, at least for her, she would not conceive of her life any other way: by dint of feeling humiliated, she feels desired and desirable.

A mother-daughter relationship is complicated by unprocessed grief and financial strife.

La doble vida del faquir (The magicians) returns to the scene of a school in the Catalan town of Sant Julià de Vilatorta where, in 1937, in the midst of civil war, a film-maker in hiding and a group of orphaned children dressed up as sultans and explorers shot an exotic adventure film. The films protagonists relive those childhood days when they were able to switch their school smocks for oriental turbans, while reality imposed its own fancy dress ball with military uniforms and priests dressed in civilian garb.

Fausta is suffering from a rare disease called the Milk of Sorrow, which is transmitted through the breast milk of pregnant women who were abused or raped during or soon after pregnancy. While living in constant fear and confusion due to this disease, she must face the sudden death of her mother. She chooses to take drastic measures to not follow in her mother's footsteps.

Julia, a 22-year-old mother of two, falls in love with Óscar, a troubled boy with whom she embarks on a love affair. The more time they spend together, the more Julia asks herself if Óscar is the person she really needs by her side, prompting her to set out on a personal journey to find happiness for herself and for her family.

Petra doesn’t know who her father is. Her entire life, it’s been hidden from her. After the death of her mother, she embarks on a search that leads her to Jaume, a famous artist and a powerful, ruthless man. On her path to uncovering the truth, Petra also meets Jaume’s son, Lucas, as well as Marisa, his mother and Jaume’s wife. That is when the story of these characters begins to intertwine in a spiral of malice, family secrets and violence that drives them all to the edge. But fate’s cruel logic is derailed by a twist that opens a path to hope and redemption.

Madeinusa is a girl who lives in an isolated village in the mountains of Peru. This strange place is characterized by its religious fervor, and seemingly odd custom: from Good Friday at three o’clock in the afternoon to Easter Sunday, the whole village can do whatever it feels like.

Sara has been alone all her life. She’s 22, has a baby, and wants to form a normal family with her young brother and the father of her child. Her own father, Manuel, decides to come back into their lives after years of absence and his release from prison. Sara knows he’s the main obstacle to her plans and she makes a difficult decision: to distance him from herself and her brother.

In 1945, in the train station of Bogota, Colombia, a dead girl is found in a trunk. The case is assigned to Detective Mariano Corzo, he has to deal with an inquisitive journalist Hipólito Mosquera while trying to solve the mysterious case. Nobody knows who the girl is, or who put her in the trunk. The things turn bad when Mosquera publish the news in the local newspaper. With the help of a bartender Martina Quijano, Corzo will find an answer for the question: Who killed the girl and why?

"Serrallonga" is the story of a bandit who becomes a legend, in a hard time when the struggle to survive was the main concern of a people enslaved by hunger and with banditry as one of the few exits from misery. Joan Sala, alias Serrallonga, is above all a rebel. Robberies and assaults make him admired by the people and his legend grows unstoppably until the end of his days.

In the 9th century, Emma, a 17-year-old girl, is named Abbess in order to repopulate and Christianize border territories in conflict with the Moors. Upon arriving at the Abbey she will have to overcome the mistrust aroused by a woman determined to fulfill her mission, which will lead her to confront nobles, peasants and the nuns themselves. Despite everything, Emma will show that it is possible to challenge established power structures. Although she will pay a high price to get it...

In a particularly hot summer, Sister Consuelo, superior of an order dedicated to caring for the sick, decided to transform the dilapidated hospital into a modern nursing.