Montserrat Salvador

Eleven episodes portray different encounters in Barcelona during the course of a single night towards the end of the millennium.

After botching a kidnapping, two criminals hide with their victim in a friends house in the jungle. After one of them rapes the friend's wife, they're left to be eaten by a nearby cannibal tribe.

Ana works in an office where the things are going very badly. One night after having dinner with nasty rich people, she has a discussion with her husband. He dissapears and then the life of Ana changes: she has incredible luck in gambling.

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later

Not published writer, a sculptor who does not expose, a filmmaker who does not make movies ... amateur and professional around anything. His daughter, which is to care, is the only one who understands. A film producer who bombarded daily with an overview, each more extravagant reproaches his fantasy and challenges to look carefully for 24 hours whichever comes around to check that everything that happens follows a rigorous logic .

Opening at the funeral mass for Mikel, we flashback to those that played a part in Mikel's life and death; his estranged wife, his traditional Basque mother, a female impersonator and friend to Mikel in his coming out, and even the local priest.

A female lawyer passionately defends criminals, believing that everyone deserves a second chance. But her latest defendants have no qualms about making her their next victim.

Algeria, 1903. Just after the trial of the insurgents in Margueritte, a village where seven Europeans were killed, Eugénia commits suicide despite the amorous passion that she feels for her husband, the French lawyer of these insurgents.