Nominingue... depuis qu'il existe

In this spectacular feature-length documentary, oceanographer Jacques Cousteau and an NFB crew sail up the St. Lawrence River to the Great Lakes on board the specially equipped vessel, the Calypso. They explore the countryside from their helicopter and plumb the depths of the waters in their diving saucer. They encounter shipwrecks, the Manicouagan power dam, Niagara Falls, the locks of the St. Lawrence Seaway and an underwater chase with caribou.

A lonely woman spends the winter isolated and reminiscing about the past as she waits for her husband to return from a prolonged absence.

Jacques Leduc directed and co-scripted (with Jacques Marcotte) this Canadian-French co-production, a drama about an aging Montreal woman, Caroline (Annie Girardot), in her 60s and contemplating impending death. She destroys old correspondence, cleans her apartment by putting furniture in the street, and looks back on her life (as revealed via flashbacks and a film crew interviewing her daughters). Caroline's brief marriage to an Englishman gave her one daughter, successful businesswoman Rachel (Domini Blythe), and an affair with a rebel in the Congo resulted in her other daughter Myriam (Sheila Rose). Further memories rise to the surface when Caroline joins her long-time friend Maureen (France Castel) for a black-tie reception where their community work in Africa brings them an Order of Canada award.

In a poor eastern quarter of Montreal, a restaurant is dedicated for the poors only: le Chic Resto Pop. It used the surplus of some merchants to offer cheap meals. The young people who work there for free get a lot of satisfaction in their work in spite of the difficulties. The movie is build around six songs written by them.

A day in the life of a Quebec magazine writer - his fortieth birthday - from his dream before waking to his last act before sleeping. He looks back over his life, his thoughts, and his loves.

Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the camera as mirror and third eye. At first, a collage-like combination of letter-writing, investigation and journey, something between documentary and feature film. Finally, a portrait of Boris Lehman from 1989 to 1995, part II of BABEL.

Soraïda is a Palestinian woman living in Ramallah, in the occupied territories. In this city under siege and a strict curfew, she fights her own battle: despite the military occupation, violence and oppression, she is determined not to lose her humanity.

The six members of the working-class Bessette family each mimic a certain stage of the life of the iconic Brother André and are an incarnation of his values and characteristics.

In this feature documentary, a Haitian, exiled in Canada for twenty years, returns to his country after the departure of Jean-Claude Duvalier. Through his encounters with former friends, professors and colleagues, the face of this newfound Haiti gradually takes shape… Shot in Haiti after the fall of the Duvalier regime, this film, beyond a simple observation, shares with us the hopes of the Haitian people as well as their fears and uncertainties regarding this country that has yet to be built.

Two teenage girls go to winter carnival in Quebec City for the first time. Their ambiguous, tentative relation with a young boy brings both of them the sweet intensity and disillusionment of first love. One of four film sketches on the problems of adolescents facing the adult world in the 1960s included in the anthology film That Tender Age (La fleur de l'âge, ou Les adolescentes). The three other sketches were directed by Jean Rouch, Hiroshi Teshigahara, and Gian Vittorio Baldi.

A docudrama on the closing of the town of Schefferville. When Raoul loses his job at the mine because the operations are ending, he's been settled there for ten years with Carmen and their son. They're now forced to leave the town, leaving behind the traces of an ephemeral prosperity.

A 30-year old man is forced out of his inert and absent-minded existence when it's complicated by the three women in his life.

The film investigates explicit representations of female sexuality by women, exploring the pragmatic and philosophical questions they pose, with emphasis on the ways in which the creation of women-friendly pornography confronts and alters the expectations of male consumers. Ultimately, Nitoslawska is concerned with how we comprehend desire, gender and identity, how we understand and represent its history, and the resulting affect on culture and human relations.

A young girl is plucked from small-town obscurity and thrust into the spotlight of the glamorous world of super-models.