Madruga Bikes

While Pedro Américo denies having fabricated fake news, Paulo Setubal reveals the Emperor’s innermost secrets.

Catalão, Brazil, 1984. The rural region of Batalha dos Neves is made up of large crop pastures, a few farms and divided in half by the São Marcos River. Antonio lives alone and isolated taking care of his small farm until the day he encounters Marcelo, a lonely motorcycler who suffers an accident crossing the region. Antonio takes care of Marcelo’s wounds. The two fall in love and live a story that transforms, destabilizes, and causes ruptures in each of them.

The area around Catalan in Brazil’s state of Goiás is dry, very dry. Sandro’s life here is somewhat monotonous. He works in a fertiliser factory, goes swimming and spends his evenings doing jigsaw puzzles of landscapes. When Maicon, a man straight out of a Tom of Finland illustration, shows up in their small town and flirts with Ricardo, Sandro’s burgeoning feelings of jealousy set a change in motion.

Inez receives a visit from Iansã.

Dom Barbudo, a pioneer in the São Paulo gay and BDSM community and elected first Mister Leather Brasil in 2017, prepares to pass on the mantle to one of the four contestants in the second edition of the contest.

Paulistas and Soledade are two rural regions located in the state of Goiás. In the early nineties the rural exodus was intensified with the expansion of monoculture farming and exploitation of water resources. Since 2014, there is no more young people living in the region. It's July, vacation time. Time when the children visit their parents.

Sr. Raposo is a staged documentary about the daily life of Acácio, who found out he was HIV+ in 1995.

The growing desire between Sandro and Maicon.

After discovering that an ancient tree has been struck by a lightning, two young men travel to the countryside trying to extract its roots. In the meantime, Gaúcho and Beto, two friends, work on a makeover of Gaúcho's home roof.

The dancer Dom walks elegantly with his polka-dotted scarf through the streets of downtown Goiânia while the director Benedito Ferreira continues his daily effort to observe and photograph the city. An attempt at a portrait, a brief dialogue, and suddenly the two of them sit in a bar to talk. From this chance encounter, a friendship is born and a plan for a final and grandiose flamenco dance show is born.

Grandmother and granddaughter are moving from the house where they live in the center of Goiânia, next to the plot of the Cesio 137 accident. The house will soon be demolished to build a museum. Meanwhile, a strange presence orbits the house.

In the cerrado they inhabit wolves-guarás and bandeirantes.

TGIF! There is forro all over the city. Tiao, a professional dancer, works in ballrooms around the city. While Reginaldo and Cida hit the dance floor waiting for the night to bring a little something extra.

Lara brings together her sister and nieces in their family's old house, located in a small town in the Brazilian countryside. Through portraits and poetic scenes, the presence of their late mother and grandmother, Mônica Lourença, is revealed in the physical features of her daughters and granddaughters, in the objects, the spaces, and in the memories that gradually fade with each generation

Rich knows a lot about accidents. So much so, he is scared to do anything that might endanger him, like riding his bike, or climbing into his treehouse. While in an old library, he is mystically transported into the unknown world of books, and he has to try and get home again.

A group of former Encyclopedia Brown-style child-detectives struggle to solve an adult mystery.

As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.