Eu Sou o Samba, Mas Pode me Chamar de Zé Ketti

Documentary about the great Brazilian photographers who helped develop Brazilian cinema and their opinions on their work, making movies in Brazil and in general, and other subjects. As a bonus, they all agreed to shoot the same scene following their individual concepts, and the result is shown for comparison.

A collection of stories and images created by Fernando Diniz, artist at the Museum of Images of the Unconscious. A film conceived and animated by Fernando Diniz, a renowned Brazilian artist who lived most of his life inside a mental institution. Marcos Magalhaes has worked closely together with Diniz for about 6 years in order to complete this short.

For six decades, the cinema of Nelson Pereira dos Santos has projected Brazil into the eyes of the world. Precursor of Cinema Novo, Nelson was, more than a director, he was an ideologue, a thinker of his country.

Memories of a parrot who participated in the filming of the classic Vidas Secas, in 1962, where it was featured along the puppy Baleia.

The film warns us about the world's water crisis and the international greed for the Amazon Forest, the largest fresh water reservoir on the planet. In addition to concentrating 20% of the world's drinking water, the Amazon is the region with the greatest chance of maintaining its water sources in the next decades, thanks to the humidity of its forest.

Panair do Brasil revives the story of the most important commercial aviation company in Brazil, between 1930 and 1965, with its commercial daring in establishing routes to the four corners of a continental country, taking the adventure of air transport to never-before imagined places, as well as the first international routes. Four decades after it closed its doors, it still retains a marked presence in the country's collective imagination for its pioneering spirit and stories of heroic deeds and for the bewilderment which was aroused by the facts surrounding its closure during the military regime.

A 10-part documentary about 10 Brazilian filmmakers: Linduarte Noronha, Jorge Furtado, Ruy Guerra, Murilo Salles, Paulo Caldas, Walter Salles & Daniela Thomas, David Neves, Julio Bressane, Ana Carolina and Carlos Reichenbach.

A corrupt senator, Maria Pilar sees a great opportunity to win in the bidding process for the Brasil Brasileiro project. After contacting Minister Ivone Feitosa in search of more information, Maria is told to talk to the ministry's executive secretary, Madalena, to set up a frame-up. Little does she know, however, that Madalena has her own plan to get along on her own...

Marcos Tiarajú was the first baby born at Fazenda Annoni in 1985, in an occupation of the MST. At age 22, he became a medical fellow in Cuba. The short follows this story of overcoming.

Documentary about the film director Ana Carolina.

In Lapa, Rio de Janeiro, the idle aspirant writer Zeca has been living with Arts Professor Júlia for five years. He is stuck on page 50 of his novel for a long time and Zeca claims lack of inspiration to conclude the plot. He leads a comfortable life from inheritance left by his mother and administrated by his father Humberto. When Zeca sees Júlia alone with her best friend Carol in his flat, he believes that they are having a love affair and becomes obsessed with Carol, following her. Júlia travels to São Paulo with work giving Zeca the perfect opportunity to have an affair with Carol. So begins his complicated life: while Júlia works and studies for her doctorate, Zeca has sex with Carol during the days and with Júlia during the nights. Zeca plots a scheme to stay with either Carol or Júlia but his plan does not go as he hoped.

Kim is a hitman who commits a serious mistake and is about to be executed by the criminal organization he works for. His only chance to escape punishment is to assassinate the peasant leader Bel. She is his sister and the only person in the world that he truly loves.

Lúcia, a blind woman, helps Raul to escape of a running over. Then, Lúcia and Raul initiate one complicated relationship.

On March 1, 1982, the city of Niterói enters history and hosts one of the most important cultural movements: a so-called Rock 80 Generation. Radio Fluminense FM, known as “A Maldita”, goes on the air, mixing irreverence, daring and creativity with its programming aimed at music that lacks commercial space. The boldness of believing in the new made “Maldita” become one of the main alternative communication vehicles, launching Brazilian rock groups and independent music and creating a legion of fans.

Lost in a beachhouse, Rodrigo searches in his memory for the romance he lived the previousnight with a woman, and how to find her.