Reunion

Written, edited, performed, and directed by Takeshi Furusawa.

Yasuko, an employee at a cabaret club, is currently living together with her boyfriend. For some reason, an earthquake connects their room to the other world -- the lingering ghosts tell her that her boyfriend is cheating...

Reiko lives a luxurious life, but remains unsatisfied. Jiro is a manual laborer who works from dusk till dawn with little prospect for love. One day, Reiko and Jiro happen to meet in a corner of Tokyo.

Natsu is unable to reveal her feelings to 'bento' (lunchbox) vendor Sone. Through the arrangement of Haruo, a man she has just met, she begins living together with Sone. But things aren't the way she expected them to be...

The fifth film in the second season of the "Seishun H" series, in which up-and-coming filmmakers exhibit their originality through themes of youth and sex. Director Sato Toshiki is known as one of the masters of the erotic "pink film" genre. Asako (Wada Misa) works at a small factory. She is still troubled by her dark past, living every day thinking of nothing but dying. Wishing that someone somewhere would take her life, she takes an interest in her colleague Tamiya Kenta (Yoshioka Mutsuo) whose memory only lasts a day, ever since the death of his wife.

Sakuragi realizes that, when he becomes aroused, he can see how many sex partners someone has had.

Ayuko is left alone at home while her parents travel abroad. Her childhood friend Isao and his bandmate Utsuho show up and their limited-time only sleepover begins.

Fujise, who loves curry rice, carries on relationships with several women at once. He's after the curry that his girlfriends make. Amidst it all, he ends up falling in love with a girl who hates curry.

Yuzo (Ito Takeshi) abandons his family and lives with his mistress Saeko (Masaki Sawa). Despite being on the verge of turning fifty and still in part-time employment, he prefers to chase dreams rather than face reality. One day, Saeko falls for a young man she meets on the street, and disappears.

The twenty-eighth entry in the "Youth H" series, which produces works in a variety of genres from up-and-coming filmmakers that focus on coming-of-age and sexual themes. Director Oguri Haruhi, who drew attention for his Toilet and Women, depicts the growth of four young men who reunite when their close friend dies. High school graduate Chikage (Tanaka Ryuto) spends his days hanging around with his best pal Aki (Nagata Iemori) at a seaside town. One day their close friend En dies in an accident, and their old buddies Dai (Shiomi Daiki) and Beyan return from Tokyo for the funeral.

In 20 XX years, Japan was wrapped in fireworks of ramen... People were suppressed by the ramen fear politics by a group called "tiger's hole". When everyone gave up on the future, there was a woman who turned away from God and opened her own destiny! Behold! Now Pandora 's box called Donburi will be held!

In the district of Shinjuku, a cut-throat rōnin student crosses paths with an uninspired painter who does the utmost for his envisioned muse.

Perfect Blue: Yume Nara Samete (パーfectブルー 夢なら醒めて, Pāfekuto Burū: Yume Nara Samete) is a 2002 Japanese psychological thriller film directed by Toshiki Satō and adapted from the novel of the same name by Yoshikazu Takeuchi. The story centers on Ai, a teen pop idol transitioning to a recording career, whose life unravels amid fixation from a obsessive convenience store clerk, leading to themes of distorted self-perception, narcissistic delusions, and violent events.

Fearing dead-end futures, abused schoolgirl Alisa and neglected housewife Harumi plan a new life together, bankrolled by a bag of stolen cash. But with an incestuous father and a jealous mother-in-law in hot pursuit, their journey to the other side of the night becomes longer — and stranger — than they could’ve expected.

A married woman who is a "revenge contractor" who takes revenge on men on behalf of women who have been wronged by her ends up being embraced by the man she is targeting...

Surgeon Asami Hanaoka is in financial difficulty. A gang soon plot to takeover the hospital.

This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.

A boy, abandoned by the whole family - torn apart by obsessions, perversions and problems of every kind-start looking at everything around him through the eye of the camera, so that nothing can seem flat and keep up hope. The meeting between these two lonely souls will bring unexpected consequences.

A young couple in love prepares to marry, but--contrary to the popular stereotype--the woman develops a classic case of "cold feet" and seeks the advice of an older man. In no position to offer solid counsel since his own marriage is failing, he instead allows her to seduce him.

When he is hit by a car on the street, the young man Daikoku foresees the monster Demking appearing at the end of the century. In preparation for the coming confrontation with the Demeking, he organizes a modern-day Seven Lucky Gods composed entirely of antisocial people. This is a utopian epic that, despite the ridiculousness of the story, is the most powerful depiction of the motifs seen in the first two films, which attempt to play on the sense of apocalypse through unrealistic imagination, while staying within a tenuous sense of reality.

After the death of his wife, Yukio has become more and more paranoid, believing that he is being followed and watched at all times. Yukio's late wife, before her death, was seeing and sleeping with another man. Not only did Yukio know about the affair, he would watch them have sex. Unbeknownst to his wife, his peeping on her became like a fetish. As the film progresses, Yukio goes to see a counselor to try and figure out his phobia and discover his deep repressed thoughts about his wife. In comes Akemi, Yukio's ex-girlfriend from almost a decade prior. Akemi is unhappy with her marriage and seeks the warm embrace of Yukio, which only furthers his descent into madness.

A young couple go on the run after the murder of his mother.

Yuji and Akiko are newlyweds. Yuji dreams of being a movie star. He lands the lead role in a Pink Eiga soft-core sex film. The director requires him to have sex with the actress. Akiko goes to her high school reunion and is raped by a drunken guy, and then hooks up with her ex-high school love. A dark and comedic look at contemporary relationships and the pitfalls of married life. The story was written by Locarno International Film Festival, Golden Leopard Prize Winner, Masahiro Kobayashi. (Pink Eiga)

The story of an angel who encounters a series of men in a public toilet. A fable about identity.

A complete change of pace for cult pinku-eiga filmmaker Hisayasu Sato, this softcore farce set in a women's clinic looks more like one of Siggi Gotz's German romps than a film from the director of OL Renzoku Rape: Kyonyu Musaboru or Kamen No Yuwaku. The zany antics include the misadventures of a voyeuristic nurse, an exhibitionistic patient, a doctor and nurse who engage in S&M, a hypochondriac, and a lesbian nurse who sleeps with the patients.

Shinji Imaoka’s debut film about three men, a woman, and a dead body.

Fumiko, a married bookkeeper at a hair salon, is having an affair with one of the stylists, Sawai. Suspecting that her co-worker Mayumi is also involved with him, Fumiko murders her in a fit of jealousy, dismembers the body, and disposes of the remains around the city. When Mayumi’s husband, taxi driver Yukio, comes looking for his missing wife, Fumiko approaches him and claims that Mayumi had wanted to visit a hot-spring resort in the snowy mountains. The two set out together in search of her, each carrying motives and resentments of their own, as their strange journey gradually develops into an uneasy and increasingly dangerous intimacy.