For Love

Deu Pra Ti Anos 70 is a Brazilian film, shot in super-8 in 1981 in the city of Porto Alegre. It tells the story of the meetings and disagreements between Marcelo and Ceres through the 1970s, in bars, dance meetings and camps. It has the special participation of artists who would become important in the gaúcho music scene, such as Nei Lisboa, Júlio Reny, Augusto Licks, Wander Wildner and Carlos Gerbase. It was the first film by actor Werner Schünemann.

The search for a successor provokes the beginning of a clash between two young and talented executives of his group: Daniel Bastos, a lad of simple origins and excellent character, who is not only handsome and charming, but also intelligent and skilled, and Olavo Novaes, an ambitious and unscrupulous man who is ready to fight for the position, at any cost. To fight against Olavo‘s treacherous plans, Daniel will have the help of the sweet and sensitive Paula, a young lady raised as an only child who founds, on the eve of her mother‘s death, that she is adopted and has a family. What Paula does not know is that she has an identical twin sister, the wicked Taís, who is as ambitious and unscrupulous as the man who becomes her main ally, Olavo Novaes. Antenor, for his part, decides on having an heir when he meets the headstrong and honest Lúcia, a woman who will make this cold businessman find true love is and a real reason to live.

Scarred by their father's abandonment, Maria Luísa and Beatriz follow opposite paths. Amidst secrets, betrayals, and romantic rivalries, a son threatens the family's destiny.

Set in the 1960s, the story has as protagonist Delfino, a Catholic sculptor from Congonhas do Campo. Raised by his aunt Efigênia, he lives from selling his works.

A story about people who succeed in life thanks to nothing but their own efforts. Maria do Carmo is the main character of the telenovela; a mother of five who struggle to be successful in life, but whose most important will be recovering the love of her daughter who was kidnapped when she was just months old.

The plot revolves around the romantic conflict involving four young people who have known each other since childhood. Antônio Mourão, an orphan raised by Father Ovídio, has two dreams in life: to graduate in Medicine – he has just passed the entrance exam – and to marry Rebeca, one of the daughters of his godfather, the Protestant pastor Bilac. Antônio and Rebeca end up separated thanks to the interference of Lívia, the youngest daughter of Pastor Bilac. Sensual and deceitful, she dreams of abandoning her life in São Tomás de Trás, working as a lacemaker and attending her father's church services, to live in the big city. She sees in Antônio a chance to fulfill her desire and, even knowing about the romance between the young man and her sister, she orchestrates a situation to seduce him and manages to get pregnant by him. The two are then forced to marry and move to the capital.

Maria da Paz is a committed baker who becomes a wealthy businesswoman twenty years after a tragedy strikes on the day of her wedding to Amadeu. From this broken union a baby is born, Jô, who seeks power and despises her mother’s humble origins. Afraid that her parents’ reunion might spoil her plans, Jô starts an alliance with the charming Régis to convince Maria to marry him and, together, they plan to steal all of Maria’s fortune. In this exciting telenovela written by Emmy Awards winner Walcyr Carrasco, Maria’s optimism must be stronger than Jô’s ambition when the baker finds out about the betrayal and her own daughter’s dangerous secrets.

Two children flee together with a grown up from a slum in Rio because this man had problems with the local drug lord. They end up in the house where a rich American citizen lives with his daughter.

In Greenville, some families never lose their composure. This is the case with the Mendonça and Albuquerque families, who would never allow a "noble" member of their family to become involved with a sugarcane cutter.

The Good Side of Life tells the story of a naïve young man from the countryside who was abandoned as a newborn against the will of his mother, and who goes to the big city to look for her. There he will also have the chance to meet the love of his life once again. Candinho's optimism and good humor are his allies against life's difficulties, including the plots of two scoundrels that cross his path.

A bus tour to São Paulo’s touristic spots bumps into several strange people.

The story of one of Brazilian cinema's pioneers, Eduardo Abelim, from the start of his career, in Rio de Janeiro, until his filming of the 1930 Revolution. To promote his films, Abelim would even perform car stunts, give classes on the occult and offer guidance on mystical matters.

In the fictional town of Antares, a general strike prevents seven corpses from being buried in the local cemetery. The corpses then come back to life to demand the authorities the right to be buried.

Quilombo dos Palmares was a real-life democratic society, created in Brazil in the 17th century. This incredibly elaborate (and surprisingly little-known) film traces the origins of Quilombo, which began as a community of freed slaves. The colony becomes a safe harbor for other outcasts of the world, including Indians and Jews. Ganga Zumba (Toni Tornado) becomes president of Quilombo, the first freely elected leader in the Western Hemisphere. Naturally, the ruling Portuguese want to subjugate Zumba and his followers, but the Quilombians are ready for their would-be oppressors. The end of this Brave New World is not pleasant, but the followers of Zumba and his ideals take to the hills, where they honor his memory to this day. Writer/director Carlos Diegues takes every available opportunity to compare the rise and fall of Quilombo with the state of affairs in modern-day Brazil.