TO WHOM IT MAY

TECHNICOLOR DREAM is a video art of vivid imagery and symbolic scenarios. It is a portrayal of passion,agony,memories and melancholy through unorthodox fusion of sight and sound.

In this early exercise work of the director, three vignettes get intertwined within space and time. Often raw, often illusory, each vignette focuses on different surfaces of existential crisis of seemingly different characters. But, are they really different at all?

It is there.

'Eigi Sylhet' is a journey of my self-discovery. With no narrative, this two-minute diary film paints a portrait of my resilience and artistic awakening, weaving together my self-portraits and cityscapes captured in 2018, a year I spent in oblivion, solitude and contemplation. It's a letter I wrote to my future self.

A late adolescent outsider tells his story while wandering through his city. Zero is the chronicles of a soul dissolved in poetry and existential limbo of nostalgia.

A contemplative study of the intertwined realities of urban melancholia, human relationships, and life itself.

Repercussion is a political statement of existence through poetic counterpoint of images and sound.

A Letter To An Accomplice

One fine morning it stopped working and I realized my little compact camera was dying. So I started taking as many photos as possible with it before it dies. These photos were taken in 2018 and 2019. A time I spent in oblivion. It was dark. It was blurry. This silent film is my tribute to my beloved camera.

A diary film that weaves together memories and life ongoing.

Dialogue Between Two Paranoid Androids.

After Zero, Before Cactus. From Where It All Started.

As I Was (2023) is a Diary Film encompassing footage spanning over 15 years, with a special ode to Kirsten Johnson and Jonas Mekas.

A dark and visceral journey. A language that tears apart the morbid nature of the dead-old primal human eyes. No warning was given. No mercy was shown.

a minute infused with pop-garde Warhol shit

Pathantula Pathantula!