AS IT IS

TECHNICOLOR DREAM is a video art of vivid imagery and symbolic scenarios. It is a portrayal of passion,agony,memories and melancholy through unorthodox fusion of sight and sound.

A late adolescent outsider tells his story while wandering through his city. Zero is the chronicles of a soul dissolved in poetry and existential limbo of nostalgia.

A Letter To An Accomplice

A contemplative study of the intertwined realities of urban melancholia, human relationships, and life itself.

It is there.

Repercussion is a political statement of existence through poetic counterpoint of images and sound.

'Eigi Sylhet' is a journey of my self-discovery. With no narrative, this two-minute diary film paints a portrait of my resilience and artistic awakening, weaving together my self-portraits and cityscapes captured in 2018, a year I spent in oblivion, solitude and contemplation. It's a letter I wrote to my future self.

In this early exercise work of the director, three vignettes get intertwined within space and time. Often raw, often illusory, each vignette focuses on different surfaces of existential crisis of seemingly different characters. But, are they really different at all?

Dialogue Between Two Paranoid Androids.

A dark and visceral journey. A language that tears apart the morbid nature of the dead-old primal human eyes. No warning was given. No mercy was shown.

My Film for Ovishek

As I Was (2023) is a Diary Film encompassing footage spanning over 15 years, with a special ode to Kirsten Johnson and Jonas Mekas.

a minute infused with pop-garde Warhol shit

Pathantula Pathantula!

After Zero, Before Cactus. From Where It All Started.

One fine morning it stopped working and I realized my little compact camera was dying. So I started taking as many photos as possible with it before it dies. These photos were taken in 2018 and 2019. A time I spent in oblivion. It was dark. It was blurry. This silent film is my tribute to my beloved camera.