Héctor Oesterheld comparte un choripán con sus verdugos

The life of Ernesto Guevara retold in testimonies from those who knew him personally.

Year 1956. Rodolfo Walsh, young writer and translator, is an involuntary testimony of a failed insurrection attempt against the military dictatorship in Argentina. A little while later he receives the news that there are some survivors of the massacre. Together with his young colleague, they begin an investigate adventure which will bring them to the center of the labyrinth of power. The adventure will unite them in front of innumerable dangers that they'll face. A story of love and a political thriller all to the background of the tragic story of Argentina

A crime and a voice that accuses.

It tells the story of two cousins ​​in bankruptcy, who kidnap Luis Aguilé obtained assuming a large ransom and, awkwardly, ending in a small town where they will live a story that reaches beyond the madness of kidnapping.

A collection of 10 short films made by known Argentine directors on the AMIA bombing of July 18, 1994.

The crew of a 24-hour store live their life while dealing with a drug cartel

The story of the relatives of the 649 Argentine fallen in the Malvinas War, who as soon as the military conflict ended, found themselves alone with their pain and prevented from approaching the grave of their loved ones, either because their bodies were left in the Cemetery of Darwin, in the Malvinas, or because they disappeared without being identified.

Sumo, one of the most emblematic bands of Argentine rock, during the preparations and the unfolding of a historical concert: the presentation of their last album at the mythical Obras Stadium, recorded a couple of months before the death of their leader, Luca Prodan.

Set in a decaying Buenos Aires, a poor Argentine (Minujin) wrestles with his newly discovered superpowers.

Buenos Aires in the year 2002; the economical depression has caught the country. Elsa keeps her head above water through several badly paid jobs and occasional criminal offenses with her friends Walter, Laura and Toni. She's saving money for a ticket to Rome to get out of her life and visit an Italian with whom she had a one night stand several months ago.

This film weaves out of reality and fantasy and present day to the past through flashbacks from it's very beginning that the viewer is playing catchup to a film that never really gets off the ground. This is the story of Olmo whose mother left his father when he was young and is brought up to believe she is dead. The father and son live under an Argentine dictatorship and live in a warehouse spending their days cataloging and archiving anything and everything from toys to chairs and a vast collection of subversive propaganda. After the father's sudden death, Olmo sets off in the real world with the help of a young woman he has met to Galicia, Spain clutching a postcard that his mother had sent from there many years before.

Argentina continues Saura’s lyrical exploration of the essence, talent and patrimony of popular dance and song in both fiction and documentary

José (Diego Capusotto) lives in Buenos Aires with his father, with whom he doesn't have a good relationship. He's a musician, but supports himself with the earnings from his taxi company, and when he can, he plays with his band in pubs. He's nostalgic for the success he could never achieve again, like when he played with his cousin Miguel (Luis Luque). They had both achieved a certain notoriety with the song "Pájaros vuela" (Flying Birds) by their band "Dientes de Limón." After a long time without seeing each other, Miguel, who lives in Las Pircas, a small town in the mountains of Córdoba, comes to visit him and suggests that he leave the city and come with him.

A librarian founds a copy of the fabled Necronomicon, only unleash hell on earth.