Marcelo Schapces

A librarian founds a copy of the fabled Necronomicon, only unleash hell on earth.

A collection of 10 short films made by known Argentine directors on the AMIA bombing of July 18, 1994.

Set in a decaying Buenos Aires, a poor Argentine (Minujin) wrestles with his newly discovered superpowers.

Argentina continues Saura’s lyrical exploration of the essence, talent and patrimony of popular dance and song in both fiction and documentary

Buenos Aires in the year 2002; the economical depression has caught the country. Elsa keeps her head above water through several badly paid jobs and occasional criminal offenses with her friends Walter, Laura and Toni. She's saving money for a ticket to Rome to get out of her life and visit an Italian with whom she had a one night stand several months ago.

A journalist interviews a general from the Process a few days after the defeat in the Falklands War. The general's speech is brutally sincere. These are the words that no Argentine military officer would say, has said, or will say. The idea is to exploit one of the feelings many people experience during the trials of repressors: it's strange that no one explicitly admits a single truth. The irony of this story is built on this sense of need to listen, with a certain moral and political awareness.

The life of Ernesto Guevara retold in testimonies from those who knew him personally.

Helga is a tarot reader and works on an erotic telephone line. The story of his story gives rise to the appearance of different characters who belong to a world without many moral values. Everyone tries to "save themselves" in their own way between having a lot of hope or a little. A TV news program tells about a suitcase full of dollars from the "laundering" of money that belongs to an influential businessman linked to Power. The businessman instructs Helga to take the suitcase out of the country. The suitcase will never reach its destination and will give Helga the opportunity to start a new life.

The crew of a 24-hour store live their life while dealing with a drug cartel

Sumo, one of the most emblematic bands of Argentine rock, during the preparations and the unfolding of a historical concert: the presentation of their last album at the mythical Obras Stadium, recorded a couple of months before the death of their leader, Luca Prodan.

Year 1956. Rodolfo Walsh, young writer and translator, is an involuntary testimony of a failed insurrection attempt against the military dictatorship in Argentina. A little while later he receives the news that there are some survivors of the massacre. Together with his young colleague, they begin an investigate adventure which will bring them to the center of the labyrinth of power. The adventure will unite them in front of innumerable dangers that they'll face. A story of love and a political thriller all to the background of the tragic story of Argentina

Documentary about the figure and work of Alejandro del Prado. Why was his career cut short? What are the keys to your art? What metaphysics beats the popular musician who claimed he wanted to be like Johann Sebastian Bach, but couldn't?

This film weaves out of reality and fantasy and present day to the past through flashbacks from it's very beginning that the viewer is playing catchup to a film that never really gets off the ground. This is the story of Olmo whose mother left his father when he was young and is brought up to believe she is dead. The father and son live under an Argentine dictatorship and live in a warehouse spending their days cataloging and archiving anything and everything from toys to chairs and a vast collection of subversive propaganda. After the father's sudden death, Olmo sets off in the real world with the help of a young woman he has met to Galicia, Spain clutching a postcard that his mother had sent from there many years before.

José (Diego Capusotto) lives in Buenos Aires with his father, with whom he doesn't have a good relationship. He's a musician, but supports himself with the earnings from his taxi company, and when he can, he plays with his band in pubs. He's nostalgic for the success he could never achieve again, like when he played with his cousin Miguel (Luis Luque). They had both achieved a certain notoriety with the song "Pájaros vuela" (Flying Birds) by their band "Dientes de Limón." After a long time without seeing each other, Miguel, who lives in Las Pircas, a small town in the mountains of Córdoba, comes to visit him and suggests that he leave the city and come with him.

A crime and a voice that accuses.

The story of the relatives of the 649 Argentine fallen in the Malvinas War, who as soon as the military conflict ended, found themselves alone with their pain and prevented from approaching the grave of their loved ones, either because their bodies were left in the Cemetery of Darwin, in the Malvinas, or because they disappeared without being identified.

In 1977, the famous Argentine cartoonist Héctor Germán Oesterheld, author of El Eternauta, was kidnapped by the military dictatorship. While being transported through a dusty road somewhere in the province of Buenos Aires, one of his captors and companion reads one of his own adventures.

It tells the story of two cousins ​​in bankruptcy, who kidnap Luis Aguilé obtained assuming a large ransom and, awkwardly, ending in a small town where they will live a story that reaches beyond the madness of kidnapping.

General San Martin has stopped in the Cordillera and the crossing of the Andes does not advance. Rivadavia is that triune. A simple chasqui (courier), advised by an aboriginal witch, will try to solve the situation.