Fernanda Young: Foge-me ao Controle

Quando Elas Se Movimentam

Inspired by the phrase of the American activist Angela Davis – “When the black woman moves, the whole structure of society moves with her” -, the documentary tells the story of three black women whose personal trajectories are intertwined with laws that transformed their lives and those of countless Brazilian citizens.

Não Saia Hoje!

Jessie e Colombo

A story of love and revolution told through letters written by a couple in the dungeons of the dictatorship. The emotional bonds tied together the past and present of two oppressed families.

Damas do Samba

Since samba emerged in Rio de Janeiro, the presence of women has been fundamental to its creation, maintenance and perpetuation to this day. Muses, pastors, aunts, composers, dancers, godmothers, carnival dancers, mulatas, performers and even as workers, they form a panel of colors, feelings and sounds in the representation of this culture. This film takes a brief look at the history of some of these women, honoring and recognizing their strength.

Casão: Num Jogo Sem Regras

An intense journey that says a lot about recent history. Few characters allow to peel so many layers of Brazilian society as Walter Casagrande Júnior, aka Casão: former striker of the Brazilian team and idol of Corinthians. Fruit of a unique space-time: the military repression of the 70s and the cultural effervescence of the 80s.

Clara Estrela

Mussum: Um Filme do Cacildis

The trajectory of musician and comedian Mussum as vocalist of the group "Os Originais do Samba" and later in cinema and TV as a member of "Os Trapalhões", a group that revolutionized the way of making humor on Brazilian television.

Por Um Respiro

Adriano Imperador

#SalveRosa

A young influencer decides to investigate her past after fainting at school. What she discovers puts not only her relationship with her overprotective mother at risk, but also her own life.

Torre das Donzelas

Documents former Brazilian President Dilma Rousseff's visit to the the women's alley of Tiradentes Jail in the city of São Paulo, also known as "Torre das Donzelas" ("Damsels' Tower"). Alongside other women, Dilma was kept as prisoner in there during the 1970s, when Brazil was under a reign of terror during its military dictatorship years. They all meet again 45 years later to break the silence and the fear of speaking out the horrors they lived under a ruthless dictatorship.

Intolerância.doc

The film gets into the underworld of crimes involving homophobia, soccer organized fans, and gangs in Sao Paulo city. It shows the team’s work routine of DECRADI, the only unit specialized in this field, as they search for people who have made hate speech into cruel murders.

Meu Corpo é Mais

Silêncio no Estúdio

The life of writer, journalist, and TV presenter Edna Savaget, who began her career as a police reporter at Rádio Nacional in the late 1940s and hosted television programs between the 1950s and 1980s.

Para os Que Ficam

Not My Fault: Brazil

During Brazil’s Carnaval, the country escapes the mundane in exuberant fashion: sexual freedom, elation, and ostentatious displays of art. But even the most joyous of celebrations cannot erase the cancer of femicide plaguing this country. Set to the backdrop of Carnaval, this series unlayers ten stories based on real events that reveal the cultural contradictions present in this “festive” country.

Val

For over 40 years Val Kilmer, one of Hollywood’s most mercurial and/or misunderstood actors has been documenting his own life and craft through film and video. He has amassed thousands of hours of footage, from 16mm home movies made with his brothers, to time spent in iconic roles for blockbuster movies like Top Gun, The Doors, Tombstone, and Batman Forever. This raw, wildly original and unflinching documentary reveals a life lived to extremes and a heart-filled, sometimes hilarious look at what it means to be an artist and a complex man.

American Hardcore

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

Not Quite Hollywood

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.